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Дечанска повеља кнегиње Милице – монахиње Јевгеније

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Томин С., Половина Н.

Poznańskie Studia Slawistyczne

2016

issue 11

219-232

This paper deals with the Dečani Monastery Charter of Princess Milica – nun Eugenia (1397) in the light of her royal and founding activities, as well as her literary creativity. The certificate with which Princess Milica returns to the Monastery of Visoki Dečani its deprived estates and gives it the new ones represents an autobiographical written document of high artistic value, but also a peculiar picture of the epoch which is projected through the image and work of one of the most intelligent women of Serbian Middle Ages.

Les dames et leurs bonnes: trois modèles interactionnels chez les Goncourt, Zola et Maupassant

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Kaczmarek-Wiśniewska A.

Cahiers ERTA

2023

issue 35

45-60

It would be difficult to imagine a Realistic or Naturalistic novel without the character of a servant, the most frequently a female one. Actually, in the 19th century, the servant becomes much more visible and important, raising sometimes into the position of the main character. The Goncourt’s Herminie Lacerteux, Zola’s The Kill and Maupassants’s A Woman’s Life depict three servants whose destiny is strictly connected to their mistress’ life ; they all have a huge influence on what becomes of the three ladies. The paper aims to examine the three models of interaction of servants and their mistresses so as to prove the importance of the servant in the « human document » created by the writers.

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1 Cahiers ERTA

1 Poznańskie Studia Slawistyczne

1 Kaczmarek-Wiśniewska A.

1 Половина Н.

1 Томин С.

1 2023

1 2016

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Дечанска повеља кнегиње Милице – монахиње Јевгеније

Les dames et leurs bonnes: trois modèles interactionnels chez les Goncourt, Zola et Maupassant