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Biblioteka Blooma

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EN
Leopold Bloom’s library contains works of various categories: religious (The Hidden Life of Christ, Philosophy of the Talmud, “an ancient hagadah book”), historical (The Secret History of the Court of Charles II, Lockhart’s Life of Napoleon, Hozier’s History of the Russo-Turkish War), astronomic (A Handbook of Astronomy, The Story of the Heavens by Sir Robert Ball), geographic (Ellis’s Three Trips to Madagascar, Voyages in China by “Viator”, In the Track of the Sun), geometric (Short but yet Plain Elements of Geometry written in French by F. Ignat. Pardies), literary (Shakespeare’s Works, Denis Florence McCarthy’s Poetical Works, When We Were Boys by William O’Brien, The Stark-Munro Letters by A. Conan Doyle, Soll und Haben by Gustav Freytag), philosophical (Thoughts from Spinoza), as well as practical guides and calendars. Most of these works and professional publications are occasionally referred to, as leitmotifs, in the epic of Dublin, yet, most frequently Joyce chooses to quote the romance book he made up, namely, Sweets of Sin! Richard M. Kain claims that there are a few thousands of leitmotifs persevering in Ulisses, which is the unquestionable essence of this encyclopaedic novel.
EN
The article analyzes the perception of old age in the works by Vsevolod Solovyov, it is noted that in the interpretation of the age is of a polar nature. The writer divides the elderly sinful and righteous. Last by their virtuous lives overcome the weakness of age and actively help others. So he showed his Christian life-affirming attitude. Тhe writer managed to escape from the temptation to translate their works only in the illustration of Christian tenets.
PL
W artykule analizie poddano wizje starości obecne w prozie Wsiewołoda Sołowjowa (1849–1903), zwracając uwagę na ich dwojaki charakter. Pisarz wyraźnie dzieli starców na grzeszników i sprawiedliwych. Ci ostatni, dzięki swemu cnotliwemu życiu, pokonują słabości wieku i aktywnie pomagają bliźnim. To charakterystyczna dla twórczości Sołowjowa postawa chrześcijańskiej afirmacji życia, przy czym rosyjskiemu beletryście udało się uciec od pokusy traktowania swoich dzieł wyłącznie jako ilustracji chrześcijańskich przykazań.
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