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In this study, I discuss Roger Scruton’s last book, devoted to Wagner’s Parsifal, in the light of Scruton’s previous books on Wagner (particularly his book on Wagner’s Ring) and his aesthetics of music in general. This is done against the background of Scruton’s differentiation between symbolic and allegoric readings of art, and their implementation in an analysis of Wagner’s leitmotifs that, as I claim, is of a broader philosophical significance and can be made use of, e.g., in a complex reading of Hegel’s “master and slave” parable.
EN
The present paper deals with the inner dynamism within the order of the fictional world, focusing on the tranformation of realistic writing (Flaubert, Tolstoy, Fontane) towards modernism. The displayed dynamism is exemplified on Thomas Mann’s The Magic Mountain taking into account the issue of autobiography and author’s essays (the Bildungsroman genre and the European realistic tradition).
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