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IT
The article deals with the subject of the South Tyrol’s peculiarities in Francesca Melandri’s debut novel Eva dorme (Eve sleeps, 2011). The author presents the most important characteristics of the region – the multilingualism of province, lack of understanding between the different ethnic groups, relationships with newcomers, reciprocal stereotypes and the legal separation of italian- and german-speaking groups. The novel is an interesting and original position on italian publishing market (due to a subject of novel) but it represents a conservative attempt to the problem of local identity and didactics aspiration to approach a less well-known part of country to the italian reader.
PL
Artykuł porusza zagadnienie obecności Południowego Tyrolu we współczesnej literaturze włoskojęzycznej. Autorka stara się pokazać, w jaki sposób poszczególne cechy charakterystyczne dla alpejskiej prowincji zostały zrealizowane w powieści Eva dorme Franceski Melandri (2011). Wśród omówionych problemów znalazły się: kwestia wielojęzyczności regionu, brak zrozumienia między poszczególnymi grupami etnicznymi oraz relacje z przybyszami spoza prowincji, stereotypy i wzajemne uprzedzenia oraz prawnie narzucone rozdzielenie grupy włosko- i niemieckojęzycznej. Powieść, ze względu na poruszaną tematykę, jest ciekawą i oryginalną pozycją na włoskim rynku wydawniczym, można w niej jednak dostrzec zachowawczy sposób przedstawiania lokalnej tożsamości regionalnej oraz aspiracje dydaktyczne, służące przybliżeniu włoskiemu czytelnikowi mało znanej części kraju.
EN
Based on a corpus including 150 novels by 40 authors, a stylometric survey was conducted to assess which modern authors were similar to Elena Ferrante, the pen name used for eight novels, including "My Brilliant Friend" (Tuzzi & Cortelazzo 2018a and 2018b). The survey proved that Elena Ferrante’s writing style is remarkably different from that of the other main contemporary Italian novelists with the notable exception of Domenico Starnone. Follow-up studies (Cortelazzo, Mikros & Tuzzi 2018 and another under way) show that non-fiction works signed by Elena Ferrante may be attributed to different authors, i.e., Anita Raja, Starnone again, and a collective author including the staff of the E/O publishing house. This study complements the results obtained by previous research by assessing Elena Ferrante’s role in modern Italian fiction following the publication of her latest novel, "The Lying Life of Adults". In addition, the analysis of her similarities to Domenico Starnone was enhanced by means of a larger corpus of his novels, thus corroborating the outcome of previous research.
XX
Sulla base di un corpus di 150 romanzi di 40 autori, abbiamo condotto un’indagine stilometrica, per valutare quali autori contemporanei risultassero più vicini a Elena Ferrante, pseudonimo con cui sono stati firmati otto romanzi, tra cui "l’Amica geniale" (Tuzzi & Cortelazzo 2018a e 2018b). L’indagine ha dimostrato che lo stile di scrittura di Elena Ferrante è notevolmente diverso da quello degli altri principali romanzieri italiani contemporanei, con la sola eccezione di Domenico Starnone. Studi successivi (Cortelazzo, Mikros & Tuzzi 2018 e in preparazione) hanno mostrato che, invece, le opere non letterarie firmate da Elena Ferrante possono essere attribuite ad autori diversi, tra i quali Anita Raja, di nuovo Starnone e autore collettivo costituito dallo staff della casa editrice E / O. Questo studio integra i risultati delle ricerche precedenti, aggiornando la collocazione di Elena Ferrante nel panorama contemporaneo, in seguito all’uscita del suo ultimo romanzo ("La vita bugiarda degli adulti") e affinando lo studio delle similarità con Domenico Starnone, utilizzando un corpus più ampio di opere di questo autore. Risultano rafforzati i risultati delle ricerche precedenti.
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