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Teksty Polaków pisane grażdanką w syberyjskiej wsi Wierszyna

100%
Ananiewa [Ананьева, Anan’eva] N. Н. N.
Acta Baltico-Slavica
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2013
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vol. 37
EN
Polish texts in Cyrillic alphabet used by the speakers of the Polish dialect in the village of VershinaThe article analyzes Polish texts in Cyrillic alphabet used by the speakers of the Polish dialect in the village of Vershina, Bokhan Region near Irkutsk. The dialect was brought to Siberia by the Polish who moved there from the Dombrovsky coal basen in the aftermath of Pyotr Stolypin’s reforms. The dialect has retained the characteristic features of the southwestern variety of Polish until the present day.There two types of Cyrillic Polish texts in the Vershina dialect: handwritten songs performed by the local choir and religious texts in print. Some language peculiarities of the dialect can be found in the songs. The present paper provides a comparison of the differences in how the Polish speech sounds are rendered in song lyrics and in prayers. For example, in texts of prayers there are a variety of ways of writing the affricate ć, and some inconsistencies in the use of some of Cyrillic characters. Tексты, писанные «гражданкой», у поляков сибирской деревни ВершинаПредметом анализа в статье являются кириллические польские тексты, функционирующие у носителей польского диалекта деревни Вершина Боханского района Иркутской области. Этот островной польский говор появился в Сибири в результате переселения сюда поляков из Домбровского бассейна в ходе реформ П. Столыпина и до настоящего времени сохраняет особенности, свойственные говорам юго-западной Польши. У носителей польского диалекта представлены 2 вида польских текстов, написанных «гражданкой»: записи польских песен, исполняемых участниками местного хора и печатные литургические тексты. В записях песен отражены некоторые диалектные особенности местного польского говора. В статье сопоставляются способы передачи «гражданкой» польского языкового материала в записях песен и в текстах молитв. В частности, в текстах молитв отмечаются разнообразие способов передачи аффрикаты ć и случаи непоследовательного использования в них тех или иных кириллических букв.
2

THE PREREQUISITES OF THE DEVELOPMENT OF COGNITIVE-GRAPHICS THEORY

84%
Чуричканич І.
Педагогічні науки: теорія, історія, інноваційні технології
|
2017
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issue 6(70)
239-253
EN
The analysis of historical development of cognitive-visual instruments demonstrated in Minoan and Egyptian hieroglyphic writing, Quipu^shri system, cartography, anatomical figures of Leonardo da Vinci, iconography is provided in the article. The linguistic functions of the unique block-diagram system of ligature hieroglyphic writing of Maya peoples are cleared out in the following investigation. It is found out that the block-diagram system was the prototype of modern cognitive-visual blocks, used in Mathematics, Physics, Computer Science and Pedagogics of today.It is revealed that the knot system “quipy^shri” of the Inca era can be considered one of the primary cognitive-graphic models of antiquity, because it was the instrument of centralized management and statistical accounting due to clearly developed visual nodal-rope account system. The paper presents the process of two-dimensional graphics development based on the production of the first geographical maps. The cartographic works from the simplest and primitive drawings to the serious scientific studies of Gerard Mercator and Edward Wright are taken into consideration in thepaper. The characteristic of anatomical figures of Leonardo da Vinci as a significant contribution to the development of primary infographics is carried out. The Orthodox icon and Tibetan tank are studied in detail as samples of primary cognitive visualization conveying complex religious and philosophical concepts and ways of moral and spiritual self-improvement with the help of certain symbols, colours and a set of signs.these symbols, colours and signs form unique religious graphical language understandable to representatives of various ethnic cultures and religions. The further investigation of historical roots of cognitive visualization will stimulate the emergence of new cognitive-visual instruments.
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