Search results

1

Kategoria walki w znaczeniu nauki

100%

Czerny J.

Prosopon. Europejskie Studia Społeczno-Humanistyczne

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2011

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issue 2(2)

97-99

EN

Janusz Czerny want to say, thaty fighting category is more popular than Darwin thought. Moreover the author said that such kind of fight is much more brutal that in animal –world .It is a new research position in science. It appears in a new light which was unknown to this time. It seems also, that fighting is an universal method exist of Nature, not only alive one. It is a new discovery of nature law perhaps also in the whole universe. Darwi has no idea of that constitution, he thought that it is appeared ony in sma phragment of our universe , he treated fighting so strictly to the animal and vegetable world. Janusz Czerny stressed very hard that it isd a new point of view in the modern science.

2

Terracotta oil-lamps from Egypt's Theban region in the collection of the Metropolitan Museum of Arts, New York

100%

Pawlikowska-Gwiazda A.

Polish Archaeology in the Mediterranean

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2019

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vol. 28(1)

641-657

EN

The group of 17 oil lamps now in the Islamic Art Department collection of the Metropolitan Museum of Art (New York) was excavated in West Thebes in Upper Egypt by an Metropolitan Museum of Art expedition at the beginning of the 20th century. The assemblage was never fully published (apart from being included in the online MeT Collection database). The present paper documents the material in full, examining the collection and proposing in a few cases a new dating based on parallels from other sites.

3

„Licht ist das sicherste Bombenziel”. Przyczynek do badań nad zaciemnianiem źródeł światła w Festung Breslau w 1945 roku

88%

Rosner-Leszczyński K.

Śląski Kwartalnik Historyczny Sobótka

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2022

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vol. 77

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issue 1

45-59

EN

This article focuses on obligations related to blackout which were imposed on the inhabitants of Festung Breslau. It analyzes documents issued by the Fortress Command, the local press (Schlesische Tageszeitung), and written relations in the form of memoirs and diaries. All of these were collected by Horst Gleiss in the source edition Breslauer Apokalypse 1945.

4

Wpływ oświetlenia lampami jarzeniowymi na równowagę ciała.

75%

Maciej Kochman M., Gabriela Domańska G., Julian Skrzypiec J.

Medical Review

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2015

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issue 1

41-46

PL

Wstęp: W pozycji stojącej każda aktywność organizmu, łącznie z biciem serca, krążeniem krwi czy oddychaniem, ma wpływ na niewielkie zakłócenia równowagi, które obserwowane są jako przypadkowe oscylacje środka ciężkości. Zmiana tych oscylacji może być również wywołana przez zewnętrzne czynniki fiykalne. Cel badań: Celem pracy była ocena wpływu światła jarzeniowego na parametry równowagi człowieka. Materiał i metoda: Badaniami objęto 60 losowo wybranych studentów w wieku od 20 do 25 lat, u których nie stwierdzono defiytów neurologicznych lub ortopedycznych. Do badań wykorzystano tensometryczną platformę stabilometryczną ALFA. Badanie składało się z dwóch prób: testu stabilometrycznego w ciemności oraz testu stabilometrycznego po zapaleniu światła jarzeniowego. Wyniki: Wpływ światła jarzeniowego na parametry równowagi jest statystycznie istotny. Wnioski: W pomieszczeniach, w których przebywają osoby ze zwiększonym ryzykiem upadku (np. sale chorych w szpitalu), nie zaleca się stosowania oświetlenia lampami jarzeniowymi.

EN

Introduction: In a standing body position all body activities including heart beating, blood circulation or breathing produce little imbalances that are observed as an accidental oscillations of the centre of gravity. A change in the oscillation may be also caused by external physical factors. The aim of the research: The aim of this research is to evaluate an inflence of florescent lightening on a human balance parameters. Subject and methods: The research included 60 randomly selected students between the ages 20-25 years, without no neurological and orthopedic defiits. In the research strain gauge platform ALFA was used. The research included both stabilometric tests, in the darkness and when the florescent light was turned on. Results: The inflence of florescent lightening on a human balance parameters is statistically signifiant. Conclusion: In the rooms where there are people with higher risk of falling (e.g. hospital wards), the use of florescent lightening is not recommended.

5

Evaluation of discomfort glare in the 50+ elderly: experimental study

75%

Wolska A., Sawicki D.

International Journal of Occupational Medicine and Environmental Health

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2014

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vol. 27

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issue 3

444-459

EN

Objectives: The aim of the study was to analyze discomfort glare sensation in subjects aged 50 years and more in comparison with younger subjects (i.e. younger than 35 years of age). Material and Methods: The experiments were performed on a computer workstation placed in controlled lighting environment where 2 discomfort glare conditions were modeled. Each participant performed for about 1 h specially designed visual tasks, including the tests with Landolt's rings presented on the screen by a computer program. The glare evaluation method consisted of subjective evaluation of discomfort glare on the semantic glare rating scale, tests of mesopic contrast and glare sensitivity, subjective assessment of lighting quality and asthenopic symptoms. The time needed to perform the task and the number of mistakes were also recorded. The subjective evaluation of glare was compared with the Unified Glare Rating (UGR) index calculated by the DIALux simulation program. Results: A higher percentage of the younger group subjects assessed glare after the experimental session as uncomfortable and intolerable than in the 50+ group, who more often assessed glare as acceptable. The assessment of discomfort glare in the younger group corresponded to higher UGR value compared to UGR value calculated by DIALux. In the 50+ group, such correlation was found only for lower discomfort glare (UGR = 19). The results showed that younger participants more frequently suffered from visual fatigue and assessed lighting as less comfortable. However, the mesopic glare sensitivity increased significantly after the experiments only in the 50+ group under both glare conditions. Conclusions: The obtained results showed that discomfort glare sensation changes with age. The younger population seems to be more sensitive and demanding than the older one in relation to discomfort glare limiting, in spite of the lack of significant objective measures of fatigue. The exposure of the elderly to bigger discomfort glare could adversely affect the objective measures of fatigue like mesopic glare sensitivity and visual performance.

6

Światło jako obiekt przekładu intersemiotycznego (o audiodeskrypcji "Solaris" i "Stalker" Andrieja Tarkowskiego

51%

Mocarz-Kleindienst M. B.

Przegląd Rusycystyczny

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2023

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issue 3 (183)

59-71

PL

W artykule podjęto próbę analizy werbalnych eksponentów światła w audiodeskrypcji – usłudze socjalnej dla osób niewidomych i słabowidzących – do dwóch filmów Andrieja Tarkowskiego: „Solaris” i „Stalker”. Udowodniono, że następujące obiekty widoczne na ekranie mają swoje werbalne reprezentacje w AD: źródło oświetlenia, oświetlenie naturalne jako sygnał pory dnia, blask jako odbicie promieni świetlnych, otwór w pomieszczeniu jako miejsce przemieszczania się światła, materia wytwarzająca światło, technika prezentacji obrazu w kadrze. Środkami językowymi są pojedyncze leksemy z semantyką światła, czasowniki, kolokacje. Wśród figur stylistycznych wyróżniono: synestezję, wyrazy kontrasty, metafory i porównania. Badania wykazały kumulatywność opisu światła w krótkich odcinkach czasu.

RU

В настоящей статье предпринята попытка проанализировать вербальные показатели света в аудиодескрипции – социальной услуге для слепых и слабовидящих – к двум фильмам Андрея Тарковского: „Солярис” и „Сталкер”. Было доказано, что следующие объекты, замечаемые на экране, имеют свои вербальные репрезентации в АД: источник освещения, естественное освещение как сигнал времени, сияние как отражение световых лучей, отверстие в комнате как место прохождения света, светопроизводящая материя, техника представления изображения в кадре. Языковыми средствами являются отдельные лексемы с семантикой света, глаголы, словосочетания. Среди стилистических фигур были выделены: синестезия, контрастные выражения, метафоры и сравнения. Исследование показало кумулятивный характер описания света в коротких отрезках времени.

EN

This paper attempts to analyze the verbal exponents of lighting in audio description - a service for the blind and visually impaired - for two films by Andrei Tarkovsky: Solaris and Stalker. An analysis was carried out of the designators fixed in the frame and receiving their verbalized equivalents in the audio description. These include the source of artificial illumination visible in the frame, the source of fire as heat-emitting and light-emitting energy, natural lighting as the effect of solar radiation, and radiance as the reflection of light rays. The linguistic exponents and stylistic figures used in intersemiotic translation were then analyzed. The linguistic means are single lexemes with the semantics of light, qualitative adjectives, verbs, and collocations. Among the stylistic figures, the following were distinguished: synesthesia, contrastive expressions, metaphors, and comparisons. The research showed the cumulative nature of the description of light in short segments.

7

Kolor w przestrzeni miejskiej „Siedem” Davida Finchera

38%

Choczaj M.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2013

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vol. 12

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issue 21

307-316

EN

The city in Seven is full of dark and claustrophobic spaces, dominated by three colors: black, green and red. The significance of these colors is associated with sin: laziness (green), impurity (red) and pride (red, white). Desaturation of color and deep blacks throughout the film are the result of artistic treatments such as flyflashing and bleach-bypass. Color is complemented by light – sometimes minimal, other times quite blinding. The sound of thunder and rain complete the picture of the city as a place of moral decay, where two forces are fighting: light and darkness, purity and sin.

PL

The Colour of Urban Areas in David Fincher’s Seven The city in Seven is full of dark and claustrophobic spaces, dominated by three colors: black, green and red. The significance of these colors is associated with sin: laziness (green), impurity (red) and pride (red, white). Desaturation of color and deep blacks throughout the film are the result of artistic treatments such as flyflashing and bleach-bypass. Color is complemented by light – sometimes minimal, other times quite blinding. The sound of thunder and rain complete the picture of the city as a place of moral decay, where two forces are fighting: light and darkness, purity and sin.

8

WIEDZA O ELEKTRYCZNOŚCI W PIERWSZYCH POLSKICH PODRĘCZNIKACH FIZYKI

26%

Dąbrowski K.

Analecta. Studia i Materiały z Dziejów Nauki

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2017

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vol. 26

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issue 2(51)

21-36

EN

First Polish books on the subject of electricity were published in the 70s of the 18th century. Among them were a guidebook on the installation of lightning conductors by Józef Osiński in 1784 and a physics textbook of 1777, whose extended edition was issued in 1801 (volume 1) and in 1803 (volume 2). Moreover, in the times of the reign of Stanislaus II, Polish physics textbooks appeared: by Samuel Chrościkowski (1764), Józef Rogaliński (4 volumes in the years 1765–1776), Józef Lisikiewicz (two volumes in the years 1779 and 1781), and by Jan Michał Hube (1783 and 1792). In his work the author analyses the state of knowledge at that time concerning the nature of electricity, static electricity, magnetism, lightning discharge, earth charge, conductors and insulators, influence of electricity on living organisms, aurora borealis, as well as evolution of this knowledge at the turn of the 18th and 19th centuries and its evaluation from today’s perspective.

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