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EN
The aim of the article is to analyse the propaganda aspect of a Turkish film series Valley of the Wolves in reference to the category of liquidity coined by Bauman. The article starts with a description of the key features of liquid modernity. Then, the politicisation of the films is discussed, as well as the blurred line between reality and fiction. Further, the ideological issues are highlighted, including neo-Ottomanism, nationalism and anti-Semitism. The last part concerns the deep state, the grey area between the official institutions and terrorist groups and mafia.
EN
According to Zbigniew Bauman the solids of modernity have been melted by fluid elements. Due to the acquisition of characteristics of fluidity modernity has passed into a phase of post-modernism. One of that solids of modernism, the policy, has been affected by fluid elements, surrounded and diluted. Traditional politics in Bauman’s metaphor also became fluid, and so postmodern. According to U. Beck it became subpolicy and many of modern call it post-policy. In the discussion about frontiers of politics man cannot miss C. Schmitt’s thought concerning the notion o politics. The key terms – fluidity and dispersal – combine concepts of both Baumann and Schmitt.According to Zbigniew Bauman the solids of modernity have been melted by fluid elements. Due to the acquisition of characteristics of fluidity modernity has passed into a phase of post-modernism. One of that solids of modernism, the policy, has been affected by fluid elements, surrounded and diluted. Traditional politics in Bauman’s metaphor also became fluid, and so postmodern. According to U. Beck it became subpolicy and many of modern call it post-policy. In the discussion about frontiers of politics man cannot miss C. Schmitt’s thought concerning the notion o politics. The key terms – fluidity and dispersal – combine concepts of both Baumann and Schmitt.
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