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Narrative, Insecure Equilibrium and the Imperative to Understand: A Hermeneutics of Woundedness

100%
Hołda M.
Text Matters: A Journal of Literature, Theory and Culture
|
2021
|
issue 11
279-298
EN
Addressing trauma as a phenomenon which happens on the level of the human psyche and body, this article explores the impact of the interlocking nature of human lingual and bodily being in discovering a fuller possibility of interpreting and understanding woundedness. The non-transparent and problematic character of trauma calls for a hermeneutic investigation in order to gain a far-reaching insight into what happens with us and in us in traumatic experience(s). The imperative to understand the situation of affliction is an unending task which not only relies upon extant understandings but continually pro-vokes new ones. I argue that the process of healing, encompassing the spoken and bodily narrative, does not establish a secure equilibrium, but rather searches for self-restoring, healing energy and commences ever new understandings of what needs to be comprehended and healed. This article offers an examination of trauma as featured in three short stories by British authors: Rudyard Kipling, D. H. Lawrence and James Joyce, to exemplify the possibilities of literature to shed light on the intricate nature of traumatic experience. It interrogates the ways in which literature, hermeneutics and psychoanalysis meaningfully converge.
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Психоаналітичний наратив у прозі О. Забужко

86%
Natyazhko S.
Studia Ucrainica Varsoviensia
|
2017
|
vol. 5
217-225
PL
The article deals with the research importance of Oksana Zabuzhko’s works. Particularly, the necessity of studying the works of the contemporary Ukrainian writer in the psychoanalytic sense is proved. An attempt to consider the author’s prose as psychoanalytic narrative is made. Stages of the writer’s evolution from a theorist to a practicalworker, from a researcher to a writer are traced. An attempt to examine Zabuzhko as an experienced analyst is accomplished. The analysis of the novel in the context of Oksana Zabuzhko’s works is envisaged. Its narrative structure and psychoanalytic base are proved. The direct connection between a literary narrative and a psychoanalysis is highlighted with the aim of underlining the feasibility of studying works of the fi ction literature, written in the style of Freud’s disease stories as psychoanalytic narratives. On the basis of the above basis, the expediency of using the psychoanalytic method in researches of the works of modern literature and the urgency of researching the interaction of a narrative and a psychoanalysis in contemporary literary studies are established.
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