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Werkwinkel
|
2014
|
vol. 9
|
issue 1
9-22
EN
Over the last 20 years, literary nonfiction has become increasingly popular among the Dutch reading public. Thanks to increasing sales, translations and literary awards the genre achieved a strong position in Dutch literature. This article analyzes the image of Central and Eastern European countries in Dutch literary nonfiction of the last ten years (2004-14). It searches for characteristics of an orientalist and balkanist discourse and the presence of the imagological centre-periphery model in the works of Geert Mak, Jelle Brandt Corstius, Olaf Koens, Joop Verstraten and Jan Brokken. Contemporary Dutch literary nonfiction contains a euro-orientalist discourse. Characteristics such as underdevelopment, hedonism, obscurity and authenticity are projected on Central and Eastern Europe, which is put in the periphery of Western Europe.
EN
The paper addresses the issue of intercultural dialogue and its importance for ecological humanism and how this problem is reflected in American literary nonfiction at the beginning of the 21st century (as exemplified by nonfiction novel Zeitoun by Dave Eggers). The authors of the article come to the conclusion that the successful resolution of modern socio-ecological crises requires practical humanism and the actualization of the principles of ecological philosophy. The most important component of the dialogue among cultures at all levels is the moral component, since it is mutual recognition and respect for norms, customs, traditions, ideals, eternal moral values that are the basis for the mutual enrichment of cultures, as well as the socio-political, environmental and economic stability of society as a whole. The book Zeitoun by Eggers demonstrates the importance of intercultural dialogue especially in situations in which entire nations face global ecological disaster.
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