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Emblematy nieskończoności w poezji Czesława Miłosza. Rekonesans

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ZARĘBIANKA Z.

Ethos. Kwartalnik Instytutu Jana Pawła II KUL

2012

vol. 25

issue 3 (99)

The first part of the paper offers an insight into the meanings attributed to infinity in the poems by Czesław Miłosz, and into the conceptual and figurative equivalents of infinity in his poetic output. It appears that, to Miłosz, infinity marks the creative act as such, as well as it marks poetry or, broadly speaking, art, which he sees as a reality in a way immortalizing the perishable earthly existence and attributing eternal permanence to it. The second part of the paper is focused on an interesting mechanism one can observe in the functioning of the concept of infinity in the poetry of this Polish winner of the Noble Prize in literature: in his poems, the abstract notion of infinity finds a correspondence in particular images, evoked by the memories oflandscapes, which (in particular in the poems from his later output) become an emblem of infinity conceived of as eternity. Interestingly, the temporal understanding of infinity (provided eternity can be considered a temporal category) involves spatial images present in the lyrical subject’s reminiscences of the landscapes of his childhood. Thus the reader encounters a peculiar transposition of the spatial into the temporal and of the temporal into the spatial. The phenomenon in question appears significant and needs to be taken into account in a description of the determinants of Miłosz’s religious imagery, as well as in a reconstruction of its deep and hidden structure. Both conceptions of infinity (infinity as art and infinity as eternity) have theirjustification and common denominator in Miłosz’s idea of philosophy and in his understanding of poetry. Translated by Dorota Chabrajska

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1 Ethos. Kwartalnik Instytutu Jana Pawła II KUL

1 ZARĘBIANKA Z.

1 2012

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Emblematy nieskończoności w poezji Czesława Miłosza. Rekonesans