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PL
W artykule podejmowane są kwestie międzypokoleniowego przekazu dziedzictwa kulturowego. Autor zastanawia się, jaką rolę w tym procesie odgrywa szkoła. Analizując podstawę programową, stara się zrekonstruować ramy, jakie tym działaniom wyznacza polityka oświatowa. Wskazuje, że oficjalne zalecenia stanowią tylko jeden z elementów szeroko rozumianego dyskursu kształtującego tożsamość indywidualną, społeczną i kulturową nastolatka. Dlatego też próbuje określić miejsce oficjalnego dyskursu w obrębie innych wypowiedzi docierających do ucznia gimnazjum i ocenić atrakcyjność przekazu szkolnego w kontekście innych narracji objaśniających świat. Autor odwołuje się do edukacyjnych doświadczeń wprowadzania w tradycję kulturową na przestrzeni czterdziestu ostatnich lat, wskazując te rozwiązania, które uwzględniają rolę ucznia jako podmiotu kształtującego swoją tożsamość. Podkreślana jest rola, jaką w procesie edukacyjnym mogą odegrać narracyjne koncepcje objaśniania świata.
EN
In the text, the question of inter-generational transmission of cultural heritage is addressed, with the focus on the role played by the school in that process. Through an analysis of the national educational programme, an attempt is made to reconstruct the role of national education policy in the framework. It is pointed out that official recommendations constitute only one element of the broadly defined discourse that shapes the individual, social and cultural identity of an adolescent. There-fore, an attempt is made to determine the position of the official discourse among other messages reaching the student and to assess the appeal of the concept as presented by schools in context of other narrations. Educational experiences relevant to the introduction of cultural tradition over the last forty years are referred to throughout the text and approaches accepting the role of a student as a subject creating their own identity are highlighted. Given all those observations, emphasis is placed on the role played in the education process by narrative concepts that help to explain the world.
EN
The article is dedicated to the issue of reception of literary classics by primary school pupils. The fundamental contemporary reception problem consists in the increasing linguistic and cultural strangeness which hampers, and sometimes even prevents independent reading by pupils. The theoretical reflection concerning the ways of preventing the rejection of the classics, as well as overcoming their strangeness is combined with the analysis of particular cases (Cinderella and its contemporary renarrations, The Barrel Organ by B. Prus, and Revenge by A. Fredro). The conclusions emphasize the importance of hermeneutic activities on the part of the teacher, which should precede and boost the act of reading. These are metaphorically referred to as the “gesture of familiarizing the classics”. The “archive” and “repertoire” metaphors introduced in the title are intended to indicate the direction of changes in the manner of presenting the works from the past. Classics should be perceived not as texts from an archive, but as works from the repertoire which are being prepared for staging, i.e. for (re)reading.
PL
prepared for staging, i.e. for (re)reading. Key words: literary classics, reading, canon, literary education in the primary school, A. Fredro Zemsta (Revenge), B. Prus Katarynka (The Barrel Organ), Cinderella, renarrations
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