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Literackie obrachunki z dzieciństwem na zesłaniu w Związku Sowieckim. Wstępne rozpoznanie

100%

Wal A.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

2017

vol. 42

issue 4

119-139

The article discusses autobiographical prose of the writers of the war generation, devoted to the problems of deportation into the interior of the Soviet Union during World War II. The considerations include the works published in Poland after 1989: Andrzej Turczyński’s Chłopiec na czerwonym koniu (1991), Piotr Bednarski’s Błękitne śniegi (1996), Andrzej Czcibor-Piotrowski’s Rzeczy nienasycone (1999), Zbigniew Domino’s Syberiada polska (2001) and Tajga. Tamtego lata w Kajenie (2007). The carried out analysis of the literary texts provides the grounds for justification of the thesis that the writers broke with the earlier existing conventions of war writing, referring to the close to the child’s imagination poetics of fairy-tale, parable, dream, mythologisation of reality, and that while showing exiled childhood in the Soviet Union they used very specific topoi (the image of parents, mainly of the mother, the motif of friendship and peer groups, as well as of adventure and initiation).

Dvadeset pet godina bilježenja prijevoda: hrvatsko i poljsko ogledalo

63%

Gverić Katana P., Kurtok A.

Przekłady Literatur Słowiańskich

2016

vol. 7

issue 2

35-52/53-72

U članku se skicira slika hrvatske književnosti u ciljnoj, poljskoj kulturi, kao i vice versa, koje se formiraju tijekom 25 -godišnjeg razdoblja. Temelji se ona uglavnom na bibliografijama i komentarima objavljenima u časopisu „Przekłady Literatur Słowiańskich”, koji već desetak godina sustavno i detaljno bilježi i opisuje prijevode slavenskih književnosti. Analiza monografskih izdanja, kad je hrvatska književnost u pitanju, pokazuje da izbor poljskih prevoditelja pada na egzilnu literaturu, koja dobrim dijelom nije bila smatrana kanonom, te djela autora s graničnih područja jezika i kultura bivše Jugoslavije, i tematski se veže uz jugonostalgiju, ratne traume i potragu za identitetom. Hrvatska književnost — i kultura — u Poljskoj često stoga nose ponajprije odrednicu „balkanskog” i „postjugoslavenskog”. S druge strane, poljska književnost u hrvatskim prijevodima uglavnom se predstavlja reprezentativnim autorima, čiji se opus smatra kanonskim i u izvornoj kulturi. Ogledanje jedne kulture u drugoj donosi širu sliku predstavljanja Drugoga i otvara problem odnosa kulturne auto - i heteropredodžbe.

In this article, we have tried to draw an image of Croatian literature in Polish culture, as well as vice versa, in the last 25 years, based on bibliographies and articles on translations in PLS. It has been concluded that, due to translators’ choices of Croatian exile literature, works perceived in the source culture as non -canon, themes related to war, Yugonostalgia and authors whose work belong to the “borderline” of a few nations, Croatian literature in Poland exists as “Balkan” literature. On the other hand, choices of Polish literature in Croatia mainly concerns classic Polish authors. Both cases draw a wider picture of national imagery — a hetero -image — in the target culture.

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1 Acta Universitatis Lodziensis. Folia Litteraria Polonica

1 Przekłady Literatur Słowiańskich

1 Gverić Katana P.

1 Kurtok A.

1 Wal A.

1 2017

1 2016

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Literackie obrachunki z dzieciństwem na zesłaniu w Związku Sowieckim. Wstępne rozpoznanie

Dvadeset pet godina bilježenja prijevoda: hrvatsko i poljsko ogledalo