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1

Pseudochorałowe śpiewy Benedicamus Domino w rękopiśmiennych kancjonałach krakowskich ss. bernardynek

100%
Godek A. E.
Kwartalnik Młodych Muzykologów UJ
|
2018
|
issue 1(36)
33-52
EN
The Archive of St Joseph’s Convent in Kraków contains a collection of musical manuscripts, which have not been studied before. Among books of liturgical use, such as graduals and antiphonaries, there are also small cantionals, full of canto fratto repertoire. The majority of these sources originate from the Convent of Bernardine Nuns in Kraków; however, there are also at least two manuscripts from the Convent in Wilno. The aim of this paper is to present canto fratto repertoire of Benedicamus Domino found in the 18th and 19th century liturgical manuscripts from the Convent of Bernardine Nuns in Kraków. The author indicates sources of studied melodies based on the wide range of liturgical manuscripts from the 18th and 19th centuries – especially from convents of Bernardine Nuns in Poland, as well as from the Convent of Benedictine Friars in Staniątki – and compares it to the dispersal of canto fratto settings of ordinarium missae. Finally, the paper presents complete index of Benedicamus Domino melodies in the annex.
2

Canto fratto Repertoire of Benedicamus Domino in the Manuscript Cantionales from the Convent of Bernardine Nuns in Kraków

100%
Godek A. E.
Kwartalnik Młodych Muzykologów UJ
|
2018
|
issue 1(36) Eng
33-52
EN
The Archive of St Joseph’s Convent in Kraków contains a collection of musical manuscripts, which have not been studied before. Among books of liturgical use, such as graduals and antiphonaries, there are also small cantionales, full of canto fratto repertoire. The majority of these sources originate from the Convent of Bernardine Nuns in Kraków; however, there are also at least two manuscripts from the Convent in Wilno. The aim of this paper is to present canto fratto repertoire of Benedicamus Domino found in the 18th and 19th century liturgical manuscripts from the Convent of Bernardine Nuns in Kraków. The author indicates sources of studied melodies based on the wide range of liturgical manuscripts from the 18th and 19th centuries—especially from convents of Bernardine Nuns in Poland, as well as from the Convent of Benedictine Friars in Staniątki—and compares it to the dispersal of canto fratto settings of ordinarium missae. Finally, the paper presents complete index of Benedicamus Domino melodies in the annex.
3
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Liturgické rukopisy italských dominikánů z akvizice olomouckého arcibiskupa Theodora Kohna

100%
Červenka S., Hrbáčová J.
Studie o rukopisech (Manuscript Studies)
|
2012
|
vol. 41
|
issue 1
57-91
EN
This article analyses six Northitalian Dominican liturgical codices with musical notation held by the Archbishop Library of the Kroměříž Castle which were bought in Vienna by Theodor Kohn, the archbishop of Olomouc, in 1895. Three of them are antiphonaries, three psalteries which bring evidence of the musical state of liturgy in the Lombardian Dominican Province from the 14th century´s first decennies until the 18th century. Four of them (nrs. 1–4) are valuable documents of the Northitalian illumination of the 14th – 17th centuries of Bononian and Ferrara´s circuits.
4
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Liturgické rukopisy z českých cisterciáckých klášterů vzniklé do konce 15. století

88%
Valíková M.
Mediaevalia Historica Bohemica
|
2022
|
vol. 25
|
issue 2
95-108
EN
The medieval Cistercian monasteries were distinctive centres where many unique and very valuable manuscripts were created over the centuries. Based on the available literature, this article presents for the first time a comprehensive inventory of the surviving medieval liturgical manuscripts from Czech and Moravian Cistercian monasteries, including their basic characteristics and current location. The manuscripts of the Golden Crown Monastery, the second largest collection of manuscripts, were the subject of more detailed source research. The main aim was to shed light on the local cults, specific celebrations of anniversaries and other particular elements of monastic life that distinguished the Golden Crown Monastery from other monasteries.
5
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Oficjum nosalistów

71%
Fedorowicz S.
Ruch Biblijny i Liturgiczny
|
2012
|
vol. 65
|
issue 2
EN
King Kazimierz Jagiellończyk and his wife Elizabeth founded a priest college in 1473. Its task was to spread the cult of Lord’s Passion. The college was attached to the Świętokrzyska Chapel at the Wawel Cathedral and his members were obliged to sing daily office of the Holy Cross, and to say a votive mass of the Holy Cross as well. The Chapter Archive of the Cathedral possesses the XVth century manuscript containing the Divine office prayer of the Holy Cross alone which then belonged to the college. In the text we quote the content of the office which was especially drew up for the college’s needs.
PL
Król Kazimierz Jagiellończyk i jego żona Elżbieta założyli w 1773 roku kolegium dla księży. Jego zadaniem było szerzenie kultu Męki Pańskiej. Kolegium przylegało do kaplicy świętokrzyskiej w katedrze wawelskiej i jego członkowie byli zobowiązani do codziennego śpiewania oficjum o świętym krzyżu, jak również do odprawiania wotywnej mszy o świętym krzyżu. Archiwum kapitulne przy katedrze posiada XV-wieczny rękopis zawierający jedynie oficjum o świętym krzyżu, które było specjalnie ułożone na potrzeby tego kolegium i należało do niego. Artykuł podaje tekst tego oficjum.
6
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Liturgia biskupia Wielkiego Czwartku w wawelskich ceremoniałach z XVI wieku

63%
Fedorowicz S.
Roczniki Liturgiczno-Homiletyczne
|
2009
|
vol. 1
87-99
FR
Pendant des années dans les églises catholiques, on a célébré uniquement une seule messe le Jeudi Saint, qui a été une commémoration liturgique de la Cène. Lorsqu’elle fut célébrée dans la cathédrale par un évêque, les rites des bénédictions de l’huile des malades, celle des catéchumènes et du saint chrême devenaient sa partie intégrale. La liturgie de ce jour, que nous présentons ici, fut célébrée dans la cathédrale de Cracovie à la première moitié du XVIe siècle. Les deux manuscrits liturgiques de cette époque gardés dans l’archive cathédrale en témoignent. Ces livres contiennent le déroulement de la liturgie épiscopale du Jeudi Saint. Même si c’était la messe de la Cène du Seigneur, toute la cérémonie mettait un accent rituel plus sur la bénédiction de ces trois huiles que sur l’idée du Cénacle. Bien que le thème de la Cène fut évoqué par les lectures bibliques, par les formules du Canon et les antiennes pour les psaumes des vêpres, les rites de bénédictions ont dominé sur le déroulement de toute la liturgie. C’était la conséquence de leur élargissement, et d’engagement d’un grand nombre des personnes de services, et aussi d’attachement de plus grande importance à l’action sacramentelle qu’au saisissement du mystère en catégories de l’histoire du salut.
7
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Some remarks about the “Liber Ordinarius” ms. 51 in the Library of the Krakow Cathedral Chapter

63%
Brusa G.
Pro Musica Sacra
|
2022
|
vol. 20
125-161
PL
Manuskrypt 51. z Biblioteki Kapitulnej Katedry Krakowskiej, według współczesnej terminologii dotyczącej rękopisów liturgicznych, to Liber Ordinarius. Napisany pod koniec XII lub na początku XIII wieku dla katedry krakowskiej, manuskrypt ten był już przedmiotem zainteresowania niektórych badaczy. W niniejszym eseju proponujemy kilka uwag na temat obecności właściwego oficjum ku czci św. Lamberta oraz zwięzłą analizę niektórych sekcji jego repertuaru liturgiczno-muzycznego.
EN
Manuscript 51 of the Chapter Library of Krakow Cathedral is, according to the modern terminology for liturgical manuscripts, a Liber Ordinarius. Written at the end of the 12th century or the beginning of the 13th for Krakow Cathedral, the manuscript has already received attention from some scholars. In the present essay we offer some remarks about the presence of the proper office for St. Lambert and a concise analysis of some sections of its liturgical-musical repertoire.
8
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Oficjum o świętym Florianie w średniowiecznych brewiarzach krakowskich

51%
Fedorowicz S.
Ruch Biblijny i Liturgiczny
|
2008
|
vol. 61
|
issue 4
EN
The liturgical cult of Saint Florian in the Cracow Church was developing rapidly in medieval times. A few dozen years after his relics had been brought to Cracow , a native patron – Saint Stanislaus- became a saint. Since then the cult of a foreign and unknown martyr deteriorated. The revival of Saint Florian’s cult was possible under the influence of Zbigniew Oleśnicki, a bishop who appointed him as patron saint of the whole Polish Kingdom, thus making him equally important as Saint Adalbert, Saint Stanislaus and Saint Wacław. Since that time the liturgical cult of Saint Florian was of high significance, which can be certified by liturgical texts and formulas found in Cracow medieval breviaries. The analysis of their content leads to the conclusion that the older the breviaries, the fewer texts mentioning Saint Florian. The oldest breviaries contain only the liturgical collect referring to him. The newer ones are gradually enriched with the elements of choral liturgy and lessons originating from the legend about Saint Florian. Between the 15th and 16th centuries the liturgy in honor of Saint Florian culminates in the rhymed office.
9
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Rękopisy muzyczne w Bibliotece OO. Cystersów w Szczyrzycu

51%
Nir R.
Archiwa, Biblioteki i Muzea Kościelne
|
1978
|
vol. 37
233-248
EN
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