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Romantičarski kodovi u romanima Miodraga Bulatovića

100%

Bečanović T.

Poznańskie Studia Slawistyczne

2011

issue 1

The paper identifies the romantic codes that are activated in the organization of the novels of Miodrag Bulatovic, relying on the theoretical assumptions of Aleksandar Flaker about the stylistic formation of romanticism, whose postulates occur even outside the periods, mainly as peripheral poetic codes within different systems. The disintegrative energy of this period and its preference for the destruction of the canon came to full expression in the narrative process of Miodrag Bulatovic. Romanticism as a supra-historical and anthropological category is generally based on the maximal postulates that involve the destruction of the existing world, as well as an aggressive attitude towards reality, which is built into the writer’s universe and reaches its climax in his last novel, entitled Gullo Gullo and his eschatological mythemes. The irrational and fantastic images in the narrative process have been equated with real events co-existing as a narrative element completely equal to reality, and what is fantastic, unnatural and unusual reveals itself as very ordinary and realistic, erasing the boundaries between reality and fiction, belonging to one and the same, a diabolical universe, which substantially regulates romantic codes.

Emoční zakotvení poetiky Milana Kundery

84%

Češka J.

Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)

2020

vol. 81

issue 2

126-144

This study aims to highlight the emotional foundation of the poetics of Milan Kundera, a topic often overlooked as a result of the exaggerated emphasis placed on the intellectual aspect of Kundera’s novels. It is evident here that we can infer Kundera’s poetics from three sources – lyricism, his dramatic work (plays, the construction of dramatic conflict, the function of on-stage speech) and essay writing. The study therefore focuses on rehabilitating the lyrical inspiration generally considered to have been surpassed at the moment of Kundera’s transition from poetry to novel writing. Here it is possible to demonstrate that not only Kundera’s poetic work, but also his specific grasp of the lyrical principle, is present in his later novels. I characterize Milan Kundera as a writer with a distinctive emotional insight, regardless of whether this is a genuine authorial quality or merely an ability evoked within the world of the novel. That is, in the analysis of Kundera’s work, we cannot insist upon any further interpretation.

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1 Poznańskie Studia Slawistyczne

1 Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)

1 Bečanović T.

1 Češka J.

1 2020

1 2011

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Romantičarski kodovi u romanima Miodraga Bulatovića

Emoční zakotvení poetiky Milana Kundery