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Nowy, zremiksowany świat [rec. David J. Gunkel: Of Remixology. Ethics and Aesthetics After Remix. Cambridge: MIT Press, 2016, ss. 240.]

100%
Marcela M.
Śląskie Studia Polonistyczne
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2018
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vol. 11
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issue 1
203-210
EN
According to many researchers and theoreticians mentioned by Davis J. Gunkel we live today in digital culture of “mash-up”, which is at the same time configurable convergence culture. Therefore in the contemporary world the concept of remix enjoys such great popularity. It is in sampling and remixing that “the cultural logic of networked global capitalism” should be sought. However, the mentioned terms occur mainly in the disputes over copyright laws and freedom of the access to culture. For Gunkel this aspect is not a key one. In Of Remixology he suggests a departure from the current way of thinking about remix in terms of an original and a copy, innovation and derivation, authorship and plagiarism. Instead, Gunkel proposes the third way of thinking, where his companions become such theoreticians as Jacques Derrida, Roland Barthes, Jean Baudrillard and Slavoj Žižek.
2
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Family Resemblance: Frankenstein’s Monster and the Phantom of the Opera in ”Penny Dreadful” (2014-2016)

99%
Babilas D.
Lublin Studies in Modern Languages and Literature
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2019
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vol. 43
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issue 2
DE
Der Artikel enthält Zusammenfassungen nur in Englisch.
EN
The Creature of Frankenstein never managed to fulfil his desire of finding a loving partner in Mary Shelley’s novel, but his symbolic progeny continues to haunt the modern popular culture. The article discusses the case of “family resemblance” between Frankenstein’s Creature and the title antihero of Gaston Leroux’s The Phantom of the Opera. In their respective literary sources, they share an inborn deformity, an appreciation for music, a romantic yearning for love and acceptance matched with sociopathic violence. Recently, the TV series Penny Dreadful elaborates on these allusions, conflating the narratives by Shelley and Leroux, as well as their later adaptations.
FR
L'article contient uniquement les résumés en anglais.
3
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Cytaty i plagiaty. Tekst piosenki i wypowiedzi slamerskie w świetle prawa autorskiego

85%
Świerkowska D.
Poznańskie Studia Polonistyczne. Seria Językoznawcza
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2021
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vol. 28
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issue 1
171-188
EN
The most important function of copyright is the protection of products of creativity, property rights and personal creator. In this broad sense, the laws protecting the author are understood and accepted by practice all over the world. The main focus of this article is to analyse the lyrics of Polish songs whose authors entered the judicial path to investigate one’s rights, and to compare them with spoken word texts, which, due to frequent references to the works of other authors, could be considered illegal. The research material consists of open court judgments, song lyrics and recordings of slam poetry texts collected by the author.
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