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Material windows and working stations. The discourse networks behind skeuomorphic interface in Pathfinder: Kingmaker

100%
Żmuda M. D.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2021
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vol. 29
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issue 38
73-94
EN
The article probes the intermedial structure of the skeuomorphic interface in Pathfinder: Kingmaker. The author indicates that intermedia research in game studies is often diachronically limited, focusing on material and semiotic interactions between “old” and “new” media. He proposes to open the field onto historically aware discoursive analysis and bases his method on Friedrich Kittler’s notion of “discourse networks”. This allows him to inspect the game in relation to technologically-founded networks that embody or bring into life specific modes of though and experience. During his analysis, he discovers that the interface design is involved with navigation devices in Late Medieval and Early Renaissance periods, Alberti’s windows as objects through with narrative spaces become visible, isometric modes of objective thinking, industrial and cybernetic notions of control, and the Xerox invention of the computer as a working environment.
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The Rubber Waistband and the Resistor: Solidarity Radio and Media Fantasies of Emancipation under Late Socialism in Poland

100%
Wciślik P.
Acta Poloniae Historica
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2017
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vol. 115
PL
The article presents the story of the underground Solidarity radio, a less known chapter of dissident media activism, whose emblematic form was the “extra Gutenberg” phenomenon of underground print culture, or samizdat. It proposes an approach, influenced by media archeology, in which both can be studied as part and parcel of the same communication environment in order to better understand the particular articulation of dissent, media and modernity which both represented. It proposes that in addition to being a certain media form, samizdat was a “social media fantasy” – a shared cultural matrix which embodied political expectations and passions about liberating effects on horizontal communication, attainable here and now through means at disposal of an average person. Underground broadcasting developed in the shadow of the samizdat materialization of this emancipatory media fantasy, despite the fact that radio activists mastered a unique craft of intrusion into the public airwaves, which gave broadcasting an aura of spectacularity that underground publishing had lost as it expanded.
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Ośrodek Badań Historii Kobiet Instytutu Studiów Kobiecych. Dokonania, plany naukowe, perspektywy badawcze

51%
Miodowski A.
Czasopismo Naukowe Instytutu Studiów Kobiecych
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2022
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issue 1(12)
193-210
EN
The summary of the achievements of the Women’s History Research Center in 2019–2021 as part of the “DIALOG” grant program is positive. This is an incentive for the research team associated with the Center to continue cooperation in the following years. A new field of joint activity under the ministerial program “SOCIAL RESPONSIBILITY OF SCIENCE” could become in the years 2022–2023 press studies (more broadly media studies) focused on media addressed to women and their public perception. Attention should be given to the publications appearing in the 19th–20th-century traditional press as well as on the 20th–21st-century audiovisual media, both classic and digital. When examining their social perception, one should not forget about the use of spoken accounts that fit into the oral history research area, about egodocuments and intimism so important in biography, as well as about traditional and digital press photography.
PL
Podsumowanie dokonań Ośrodka Badań Historii Kobiet w latach 2019–2021 w ramach programu grantowego „DIALOG” wypada pozytywnie. Stanowi to dla zespołu naukowego związanego z Ośrodkiem zachętę do kontynuowania współpracy w latach następnych. Nowym polem wspólnej aktywności w ramach ministerialnego programu „SPOŁECZNA ODPOWIEDZIALNOŚĆ NAUKI” mogłyby się stać w latach 2022–2023 badania prasoznawcze (szerzej medioznawcze) ukierunkowane na media adresowane do kobiet i ich społeczny odbiór. Uwagę w równym stopniu należałoby skupić na publikacjach ukazujących się na łamach XIX‒XX-wiecznej prasy tradycyjnej, jak też XX–XXI-wiecznych przekazach z mediów audiowizualnych, zarówno tych klasycznych, jak też cyfrowych. Badając ich społeczny odbiór, nie powinno się zapominać o wykorzystaniu relacji mówionych wpisujących się w przestrzeń badawczą oral history, o egodokumentach i intymistyce tak ważnych w biografistyce, a także o tradycyjnej i cyfrowej fotografii prasowej.
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