Search results

1

Пролегомены к ценностному анализу коммуникативных агрессий XXI века

100%

Sidorow W. A.

Rocznik Prasoznawczy

|

2016

|

vol. 10

41-54

EN

Communicative aggressions can be explained as a value based conflict in a media sphere about the symbols of belief. They result to value based polarization of public conciseness which feeds general aggressive tone towards otherness. The analyses of this phenomena is a burning scientific objective which is reached on the base of axiologically oriented media researches. The paper discloses the aim and objectives of further research of communicative aggressions of the XXI century. The research is undertaken by the initiative group of researchers (political scientists, linguists and experts in field of journalism and mass communication theory) from Poland, Russia and Finland. Based on the assumption that communicative aggressions is a way to make informational damage to an opponent/enemy the project plans to analyze the symbolic bases of this phenomenon, the practices of communicative aggressions in a policultural environment as well as roots of nihilism and hate in political online communications. The paper covers theoretical approaches to the interpretation of the phenomena of communicative aggressions. Value based analyses is promoted as an adequate research approach to learn about new phenomenon.

2

Varijacije, odjeci i tragovi matoševskog flanerizma u izboru iz suvremene hrvatske proze

76%

Gajin I.

Poznańskie Studia Slawistyczne

|

2014

|

issue 7

EN

In his book, Čitanje grada (Reading the City), Krešimir Nemec stated that A.G. Matoš has „modeled after Baudelaire, introduced to the Croatian literature a figure of an idle observer, a curious pedestrian or a flâneur, a typical impressionist product of urban culture and aesthetics of the street”. As a reference and a starting point for reflection on flâneurism’s motifs in contemporary Croatian literature, A.G. Matoš is used as a factor of distinction in outlining one of the most characteristic aspects of the so-called transitional literature. Having said that, a common conclusion is that flâneurism has, in the Croatian contemporary prose, moved from thestreets to the shopping malls. However, contemporary Croatian prose offers the reading of other flâneurism practices as a movement that reflects the changes in categories of urban life, space, daily life and discourse in the transition period from the 20th to the 21st century due to the transformative processes such as a transition, globalization and media revolution. Ultimately, Nemec writes: „If he had experienced the present era of electronics and virtual reality, Matoš probably would have called the tireless surfers of the endless Internet sphere electronic flâneurs”.

3

Dyskurs medialny – przegląd stanowisk badawczych

63%

Loewe I.

Forum Lingwistyczne

|

2014

|

issue 1

9-16

EN

The article is a review of eight studies in which, with varying intensity and different purpose, the expression media discourse has been used. Furthermore, the article includes two important postulates. The first one being to exclude fiction texts, which are of a dominant autotelic function, from the media discourse analysis. The second one – to revise the opinion that the Internet discourse is a homogeneous structure. Hypertext discourse seems to be a crucial and instrumental category which overlaps with the media discourse, being, however, more precise in nature. The author concludes that media discourse is a type of a one-way communication through the mass media, where the sender is institutionalized, and the audience is the recipient. The message requires transceiver devices and is characterized by progressing iconisation. The objective of the sender is to direct social attention and model the views of his/her audience. The press discourse, the radio discourse, the television discourse and the hypertext discourse can be distinguished within the media discourse framework, in accordance with the type of data transmission. Semiotically, this type of communication is located in the mediasphere and displays a combination of three areas of signs: iconography, “sonophere” (sphere of sound) and logosphere, while eliminating the fourth area, the “galenosphere” (sphere of silence).

4

Sławomir Soczyński, (Re)definicja pojęcia tabu medialnego jako kategorii aksjonormatywnej z perspektywy teoretyczno-funkcjonalnej, Wydawnictwo Petrus, Kraków 2021, s. 331, ISBN 978-83-7720-665-2.

51%

Leśniczak R.

Folia Toruniensia

|

2022

|

vol. 22

127-134

PL

Celem monografii Sławomira Soczyńskiego (Re)definicja pojęcia tabu medialnego jako kategorii aksjonormatywnej z perspektywy teoretyczno-funkcjonalnej jest próba zrozumienia fenomenu tabu medialnego, pokazania jego znaczenia dla uczestników zmediatyzowanych procesów komunikowania, a zatem ukazania tabu jako elementu systemu, który reguluje przestrzeń mediosfery. Monografia składa się z dwóch części. W pierwszej, złożonej z dwóch rozdziałów, dokonano konceptualizacji pojęcia tabu w teoretycznych analizach medioznawczych. Druga część, złożona z czterech rozdziałów, jest pragmatycznym studium tabuizacji w mediosferze. Badania zawarte w książce sytuują się w dziedzinie nauk społecznych w dyscyplinie nauki o komunikowaniu społecznym i mediach.

EN

The aim of Sławomir Soczyński's monograph (Re)definition of the concept of media taboo as an axionormative category from a theoretical and functional perspective is an attempt to understand the phenomenon of media taboo, to show its importance for participants of mediatized communication processes, and thus to show taboo as an element of the system that regulates the space of the mediasphere. The monograph consists of two parts: the first, comprised of two chapters, conceptualizes the concept of taboo in theoretical media studies, and the second part, comprised of four chapters, is a pragmatic study of taboos in the mediasphere. The research contained in the book is situated in the field of social sciences in the discipline of social communication and media science.

DE

Das Ziel der Monografie von Sławomir Soczyński (Re)definicja pojęcia tabu medialnego jako kategorii aksjonormatywnej z perspektywy teoretyczno-funkcjonalnej [Die Neudefinition des Medientabus als einer axionormativen Kategorie aus theoretisch-funktionaler Sicht] ist der Versuch, das Phänomen des Medientabus nachzuvollziehen, seine Bedeutung für die Teilnehmer der medialen Kommunikationsprozesse zu erschließen und zugleich das Tabu selbst als einen Teil des Systems, das den Bereich der Mediensphäre ordnet, zu zeigen. Die Monografie besteht aus zwei Teilen: Im ersten davon, der aus zwei Kapiteln besteht, wurde der Begriff des Tabus in den theoretischen medienwissenschaftlichen Analysen beschrieben. Der zweite Teil mit vier Kapiteln ist eine pragmatische Studie der Tabuisierung in der Mediensphäre. Die Untersuchungen im Buch gehören zu den Sozialwissenschaften im Bereich der Sozialkommunikations- und Medienwissenschaft.

Refine search results

1 Folia Toruniensia

1 Forum Lingwistyczne

1 Poznańskie Studia Slawistyczne

1 Rocznik Prasoznawczy

1 Gajin I.

1 Leśniczak R.

1 Loewe I.

1 Sidorow W. A.

1 2022

1 2016

2 2014

Пролегомены к ценностному анализу коммуникативных агрессий XXI века

Varijacije, odjeci i tragovi matoševskog flanerizma u izboru iz suvremene hrvatske proze

Dyskurs medialny – przegląd stanowisk badawczych

Sławomir Soczyński, (Re)definicja pojęcia tabu medialnego jako kategorii aksjonormatywnej z perspektywy teoretyczno-funkcjonalnej, Wydawnictwo Petrus, Kraków 2021, s. 331, ISBN 978-83-7720-665-2.