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Teologiczna odnowa znaków w Eucharystii

100%

Mateja E.

Teologiczne Studia Siedleckie

2015

issue XII/12

161-175

The history of the liturgy informs us that in the course of time the clarity of the signs, especially those that were created and introduced to the liturgy by people, lost their signifi-cance. Therefore on many occasions the Church spared no effort in the restoration of the lit-urgy following the principle that liturgia semper reformanda. The Constitution on the Litur-gy, issued more then 50 years ago, is an expression of such an activity. The considerable time that has passed from the edition of this first conciliar document shows that much work has been achieved in this aspect of education. Both clergy and laity have a deeper understanding of the liturgy and the participation in it through use of the renewed theology of the liturgical signs. Therefore those efforts should be further developed; this paper has been planned as an attempt to enhance the process of theological understanding of the signs applied to the Eucharist. The first part of the paper deals with the problem of the sign-character of the person who celebrates the Eucharist. The second part focuses its attention on the significance of the place of celebration. The final part of the paper studies the theological significance of selected elements of the Mass.

Programma iconografico per il luogo della Chiesa – realtà storica

80%

Litawa K.

Łódzkie Studia Teologiczne

2021

vol. 30

issue 2

57-68

From the Christian antiquity until today, a precise, unitary and organic iconographic program has been developed, which should characterize the space of celebration. It should facilitate the involvement of the assembly to the celebrated mystery. Over the centuries this program enriched not only the interiors of churches, but – above all – it should have brought closer the real presence of the Source of All Beauty, i.e. Creator. Furthermore, it should help to create true dialogue between man and God.

Dall’antichità cristiana fino ad oggi viene sviluppato un programma iconografico preciso, unitario e organico, che dovrebbe caratterizzare lo spazio celebrativo in modo che l’assemblea si senta più facilmente coinvolta nel mistero che viene celebrato. Nel corso dei secoli, questo programma arricchiva non solo gli interni delle chiese, ma soprattutto avrebbe dovuto avvicinare la presenza reale della fonte di ogni bellezza: il Creatore. Inoltre dovrebbe creare il dialogo tra l’uomo e Dio.

Od starożytności chrześcijańskiej po czasy współczesne precyzyjnie opracowywano jednolity i organiczny program ikonograficzny. Powinien on charakteryzować przestrzeń celebracyjną, aby przybliżyć zgromadzeniu liturgicznemu istotę sprawowanego misterium oraz umożliwić uczestnikom większe zaangażowanie w jego działanie. Program ten na przestrzeni wieków ubogacał nie tylko wnętrza kościołów, ale przede wszystkim powinien przybliżać realną obecność źródła wszelkiego piękna: Stwórcy. Ponadto powinien pomagać w kreowaniu wzajemnego dialogu człowieka z Bogiem.

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1 Teologiczne Studia Siedleckie

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1 Litawa K.

1 Mateja E.

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Teologiczna odnowa znaków w Eucharystii

Programma iconografico per il luogo della Chiesa – realtà storica