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Od Redakcji

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Introduction to the theme of the journal: "Renewal of modernism".
EN
The main task of the present article is to characterize the changing perspectives in the description and definition of modernism and modernity in a reciprocal relationship of these two categories. The creation of definitions is described here as a processes of fictionalization with a generational viewpoint of scholars. Moreover, the article indicates the difference between a nominal and a relational mode of defining and the question of institutionalization of knowledge within the framework of definition projects. Such research perspectives lead to the conclusion about dialogical and at the same time contradictory character of historical formations of phenomena to which the studied terms allude.
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Nowe studia modernistyczne

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The main task of this article is to describe the new situation of modernist studies at the turn of the 20th century and an attempt to position this description in a broader history of criticism of modernism in art. The transformations in the studies into modernist literature have been characterized here in three aspects: expanding the time frame (going beyond the basic period of modernism from the end of the 19th c. until 1930s), spatial dimension (abandonment of a privileged position of research into West European and American modernism in favour of a transnational perspective) and vertical dimension (connected with the necessity to rethink the relationship high art-low art, and also the influence of mass media upon modernist literature).
EN
The main task of this article is to enter into discussion with a concept of modernism as an expressive dimension of modernity by Susan Stanford Friedman. In place of statements of epistemological nature, the author of the article proposes ontological questions and return to such an understanding of modernism which would primarily stress a specific Anglo-Saxon modernity. This kind of a historically motivated definition should protect the coherence of modernism as a research subject.
PL
The main task of this article is to enter into discussion with a concept of modernism as an expressive dimension of modernity by Susan Stanford Friedman. In place of statements of epistemological nature, the author of the article proposes ontological questions and return to an understanding of modernism which would primarily stress a specific historical, global modernity. This kind of a historically motivated definition should protect the coherence of modernism as a research subject.
EN
studies into late modernism-of the issues which are worth researching or the problems which should be signalled. The article starts with a recognition of a poor presence of the category of modernism in thinking about the literature of the 20th and 21st centuries and submits several proposals. At the beginning, a proposal of confronting a modernist paradigm with a paradigm of Romantic revision. This proposal was presented with an awareness of the fuzziness of the notion of modernism as well as the notion of Romantic revision in Polish academic environment. The following research postulates that would be formulated are: deeper reflection on the language (in connection with tradition, heritage and their problematization) and on the practices of reading. Later, the text poses a question about the way of studying the permeation of discourses in the writing of specific representatives of modernism and demands greater recognition for the Central European perspective in research.
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Nowe modernizmy. Mapa debat

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The main task of the present article is the description of the contemporary discussions concerning the category of a literary modernism. Special attention is brought here to the debates conducted around the concept of periodization of literature of the 20th century and around those methodological approaches which privilege the new modernist studies. At the same time, the author of the article brings our attention to a special status of the contemporary modernist studies, which do not try to change the paradigm, but rather are organized by gestures of corrections and reconfiguration – thus they are subject to the mode of turns in the modern humanities.
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