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Kradzież twarzy. O pewnym przypadku aktorskich wykroczeń przeciw cenzurze obyczajowej w XIX wieku

100%
Jarząbek-Wasyl D.
Didaskalia. Gazeta Teatralna
|
2022
|
issue 169-170
206-232
EN
The article is devoted to the ban on representing living people in theatre in the 19th century. The phenomenon of copying the physiognomy, behaviour and gestures of living, recognisable people on stage caused a lot of controversy, but it also constantly aroused much interest among spectators. The article presents a number of examples of violations of the principle of “not touching” living people, from the times of Bohomolec to the times of Wyspiański.  The author analyses three main motivations for the ban on portraying real people on stage, ethical, aesthetic and socio-psychological, using legal documents, rules of acting, anecdotes and memories. In the methodological layer she makes reference to, inter alia, the anthropology of the image, caricature and new studies on the history of theatre.
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„Mężczyźni ułomki”. XIX-wieczne emploi jako przykład nieformalnej cenzury obyczajowej

63%
Wanicka A.
Didaskalia. Gazeta Teatralna
|
2022
|
issue 169-170
181-205
EN
The article concerns the specificity of actor specialisation in Polish theatre of the 19th century. It is an attempt to look at the phenomenon through the prism of questions taken from research on moral censorship. It sheds some light on the principles of the so-called realistic idealism which was the basis of stage art and visual culture of the era shaped by academic art. The theme of the article is the actor specialisation of a romeo and the changes occurring in this specialisation in the late 19th and early 20th centuries.
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