Search results - CEJSH

1

Nowoczesne, czyli jakie? Refleksje nad nową formą muzeów etnograficznych

100%

Szaszkiewicz M.

Zbiór Wiadomości do Antropologii Muzealnej

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2019

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issue 6

PL

The article is try turning the attention to new forms and actions performed by museums of the 21st century. This is analysis of new forms of activity of ethnographic museums oriented not only on exhibitions, but also on the organization of events such as science fairs, festivals, concerts, workshops. Article is attempting to create a field to discussion about a new ethnographic museum model that would be the answer to contemporary challenges posed by globalization and technology, as well as finding definitions and categorizing knowledge regarding the „modern ethnographic museum”.

2

Muzeum szkolne w Szadku (jubileusz 30-lecia)

100%

Stefańska D.

Biuletyn Szadkowski

|

2005

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issue 05

189-210

3

Powstanie i dzieje zbiorów archeologicznych i Muzeum Archeologicznego AU i PAU

80%

Skrzyński T.

Materiały Archeologiczne

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2010

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vol. 38

205-218

EN

To properly present the fate of the collection and the Museum one should go back to the times of the Krakow Scientific Society within which the Museum of State Antiquities was established in 1850. Altogether during the period when the Society existed, the Museum acquired several thousand coins, medals, commemorative objects and archaeological artefacts from all annexed territories. After World War II ended, the Museum operated in the area of southern Poland. The majority of incoming artefacts came from excavations conducted on behalf of the Museum. Among donations were e.g. numerous artefacts from Egypt.

4

Wielkopolska (Greater Poland) Military Museum: history of an unusual museum

80%

Łuczak J.

Muzealnictwo

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2021

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issue 62

258-266

EN

The beginning of historical-military museology in Poznan dates back to the mid-19th century when the Poznan Society of Friends of Learning assumed the responsibility to save historic monuments, and began to establish the Museum of Polish and Slavic Antiquities in the Grand Duchy of Posen (Poznan). The task was to collect archival, library, and museum materials, including militaria. As a result of these efforts, in 1882, the Mielżynski Museum was established which boasted an exquisite painting gallery, containing historical painting, a rich archaeological and military collection, and a sizeable collection of so-called historical mementoes: weapons, orders, decorations, etc. In the aftermath of the Greater Poland Uprising 1918 –1919, the Hindenburg Museum founded in 1916–1918 was transformed into a Military Museum. The ceremonial opening was held on 27 October 1919 by Józef Piłsudski, Poland’s Chief of State. The quickly growing collection was moved from Marcinkowskiego Avenue to the barracks in Bukowska Street, and subsequently to a new seat at 1 Artyleryjska Street in Poznan. The solemn opening of the Wielkopolska Military Museum was held on 22 April 1923 by the Commander of the 7th Corps District Major-General Kazimierz Raszewski. In 1939, anticipating the threat of war, the most precious objects were evacuated eastwards, and looted there. The items which stayed behind ended up in German museums. The mementoes connected with the history of the Polish military were destroyed, and the Museum was wound up. The first attempts at reactivating the Museum following WW II failed. It was only with the 1956 revolt that civil and military authorities changed their approach, The National Museum in Poznan undertook the first efforts. The Museum did not go back to its pre-WW II seat, but found home in a modern building in the Old Market Square in Poznan, to be ceremoniously launched on 22 February 1963 by the Commander of the Operational Air Force in Poznan Brigadier General Pilot Jan Raczkowski. Having recreated its collection, the Wielkopolska Military Museum, already as a Branch of the National Museum in Poznan, has held many exhibitions and shows. Moreover, it has released many publications, and run a broad range of educational activities. Among other projects, it has also made reference to the pre-WW II Museum. On 27 December 2019, a new jubilee exhibition ‘Wielkopolska Military Museum 1919–2019’ recording the 100-years’ history of the oldest historical-military museum in Poland was inaugurated.

5

The History of the Witkacy Collection in Słupsk

80%

Brochocka A.

Estetyka i Krytyka

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2013

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issue 4(31)

39-47

EN

This account describes the activity of the Museum in functional terms and reports on the 45-year presence in Słupsk of the Witkacy collection. The presence of Witkacy’s work in Słupsk was instigated by an initial acquisition of 110 works which were brought to Słupsk in 1965. This was part of a post-war endeavour aimed at countering the influence of Germanic traditions then present in the region. In a short space of time the collection of works by Stanisław Ignacy Witkiewicz became the primary museum collection of Słupsk, eclipsing all other collections including. The museum now works with the City Council in a three-fold way: through exhibition, educational outreach, and as part of broader promotional activity of the City of Słupsk. However, perhaps the Museum's most important measure of success is the international scholastic conferences dedicated to the life and work of Witkiewicz.

6

Badania bazyliki i mol w Marei w Egipcie

80%

Babraj K., Szymańska H.

Materiały Archeologiczne

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2013

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vol. 39

169-194

EN

During the two-month excavation season, the space of the south pastophorium of the basilica was examined. Excavations in the north part of utility rooms were related to the previous season, and focused mainly on searching for the proper entrance to the “cellar” located below those rooms (# 30, # 33, # 34, # 35), where the deposit of jugs discovered in 2009 (124 items), coins, glass and terracotta were found. Because of annually increasing considerable deterioration of the piers, caused mainly by weather conditions and environment pollution, during the discussed season we made the effort of inventorying the above mentioned structures. In Marea, which used to be a lake port, there are four piers which may have been used for loading and unloading cargo ships and river boats of shallow draught, as well as taking and serving the incoming passengers.

7

The tourism function of the castles of the Knights of the Teutonic Order in Poland

80%

Musiaka Ł.

Turyzm

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2013

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vol. 23

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issue 2

49-57

EN

The author’s main objective is to define the level of development of the tourism function of the Teutonic Order castles found in the area of contemporary Poland. The author has taken into account both well-preserved and renovated castles, as well as those in a state of ruin. In order to achieve his goal, he analysed forms of castle development and numbers of tourists, which is the main measure of the tourism function. The final stage of the research was to define the tourism rank of the castles studied.

8

Museum’s marketing communication tools – results of empirical research

80%

Macalik J.

Nauki o Zarządzaniu

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2018

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issue vol. 23 no. 2

12-18

EN

The aim of the article is to present the results of a quantitative survey of marketing managers in Polish museums on the marketing communication tools used in these institutions. The survey was conducted using the CAWI method in 2017 on a group of 85 marketing managers in museums. In the study, the scope of application and the importance of particular marketing communication tools for museums were established. It has been shown that advertising and Public Relations have a key role in the promotion of museums, in particular contact with the media and the organization of events. This study shows that a large group of Polish museums uses a fairly narrow range of marketing communication tools and that they only sporadically reach for modern communication tools. The article also presents the factors that have a positive and negative impact on the possibility of implementing effective marketing communication in museums.

9

Od „wypastowanej samotni” do atrakcyjnej przestrzeni publicznej. Muzeum w mieście

80%

Szalbot M.

Studia Etnologiczne i Antropologiczne

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2017

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vol. 17

317-326

10

Sztuka w muzeum wyobraźni

80%

Hańderek J.

Estetyka i Krytyka

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2011

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issue 2(21)

61-75

EN

The article attempts to reconstruct the aesthetical category of imaginarium by Andre Malraux. Malraux approached it on various levels: imaginative space of culture participant, artistic creation, museum a set of meanings, cultural codes and symbols. The category is a key to perception of the world where meanings and senses are both interpreted and constituted. The metaphor of imaginarium allows the French thinker to trace the way culture develops its meanings and senses as well as gives opportunity for an analysis of interactions between cutures. It is by imaginarium, its symbolic and meanings cutures develop as well as contact each other, leading to birth of new meanings and symbols.

11

Historia noworocznej “Szopki prehistorycznej” z 1944 roku

80%

Reinfuss-Janusz K.

Materiały Archeologiczne

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2013

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vol. 39

211-221

12

Evaluating the role of the National Museum of Iran in the development of cultural tourism

80%

Farokhi O. S., Hosseini S. Y.

Studia Periegetica

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2021

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vol. 34(2)

9-26

EN

In addition to acquainting the public with the culture of a particular region, cultural tourism creates economic opportunities. Taking into account various tourist sites, museums are definitely among the most important ones. In Iran, the National Museum is one of the most important museums because of its rich collection of historical monuments related to the ancient Persia and Islamic periods. The authors of this article analyse the role of the National Museum of Iran in the development of the country’s cultural tourism. The analysis is based on information obtained from the database of the Iranian Cultural Heritage Organization and the National Museum of Iran. Confirmatory factor analysis and structural equation modelling were employed for data analysis. The results confirm the importance of the National Museum of Iran in the development of cultural tourism.

13

Prawo pierwszeństwa nabycia zabytku na gruncie art. 20 ust. 1 ustawy o muzeach

80%

Grygutis J.

Studenckie Prace Prawnicze, Administratywistyczne i Ekonomiczne

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2017

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vol. 21

115-129

EN

This paper presents Polish regulation regarding “right of first offer” in the Museum Act. Author explains the legal nature and allocation of this institution within Polish legal system. The analysis is conducted from perspective of axiology and legal dogma, while the provision under scrutiny is reviewed in the light of constitutional protection of ownership’s right. Moreover, this regulation’s mayor cons are pointed out which result from imprecise usage of terms of legal language for drafting this regulation’s provisions. Consequently, this regulation hardly can be applied, therefore it does not protect monuments as effective as it should be, as it was intended by the Legislator.

14

Cultural events as a method for creating a new future for museums

80%

Jaremen D. E., Rapacz A.

Turyzm

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2018

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vol. 28

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issue 1

25-33

EN

In the situation of insufficient subsidies for the substantive activities of museums, primarily the ones funded by the local governments, as well as low attendance of visitors, not really interested in the traditional offer of such institutions, there is an urgent need to extend it with additional elements corresponding to the expectations of a contemporary client. The observation of the thriving museums in Poland and worldwide indicates that cultural events represent such an attractive component which expands the museum offer. The article presents an attempt of explaining the role of cultural events in developing a museum product based on the analysis of a specific case of the Municipal Museum Gerhart Hauptmann’s House in Jelenia Góra-Jagniątków.

15

Muzeum publiczne jako zakład administracyjny

80%

Zalasińska K.

Przegląd Prawa Publicznego

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2013

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issue 7-8

130-146

EN

Museums provide public services of an great importance for society. They are custos - guardians of the national treasures. However they are also providing other significant public services. In the structure of the government they act as administrative facilities, what significantly affect their activity. Contemporary issues in the management of public museums is connected with the widely described in the literature crisis of public entities providing services for society.

16

Pierwsze sarkofagi egipskie w Polsce. Z historii zbiorów antycznych w Polsce

80%

Gałczyńska C.

Materiały Archeologiczne

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2013

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vol. 39

241-262

EN

This is a review of Egyptian sarcophagi, probably the most spectacular artefacts in Polish collections, exclusive of those which appeared as a result of organised archaeological excavations. The survey has contributed to verifying some erroneous information in the literature of the subject, provided new information concerning less well-known artefacts of that type and, above all, drew attention to Aleksander Branicki (1821-1877) and his previously unknown excavation work in Egypt.

17

Wykorzystanie aplikacji mobilnych w muzeach – przegląd i analiza polskich projektów

80%

Gmiterek G.

e-mentor

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2017

|

issue 2 (69)

25-39

EN

Cultural heritage institutions (e.g. museums) expand the scope of information technology adaptation and make mobile applications available to the users. Up to date mobile devices (like smartphones or tablets) become fully functional devices for display and interaction with online museum information resources. This type of information dissemination can be exploited efficiently in shaping information literacies for young users for whom mobile device has become a major tool for communication, entertainment and knowledge acquisition. The paper presents the results of comparative analysis of mobile applications for museum information services in Poland. The study covered recent and most popular mobile application for online exhibitions and for accessing museum collections and it has been limited to mobile applications for Android operation system. The analysis was based on selected applications highly rated on Google Play Store and AppBrain.com. The popularity of mobile applications was established based on statistical data- rating score, user comments and the total number of downloads. The study indicates selected features such as mobile devices capacities, built-in mechanisms (gyroscope, GPS, camera), interactivity and multimedia features.

18

Kwiat, kości, siekiery: o problemach upamiętniania miejsc zagłady na przykładzie muzeum w Jasenovcu

80%

Falski M.

Pamiętnik Słowiański

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2010

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vol. 60

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issue 1

35-48

EN

The largest and pitiless concentration camp in the fascist Croatia was located in Jasenovac on the Sava river, near the Bosnian border. In early 1960s the memorial site and museum was founded there. The article proposes an analyze of the public debate in Croatia in 2004-2006, related to the complete change of the museum exposition. Supporters of the change emphasize new perspective of commemoration, individualization of a victim, and giving him/her the dignity back. On the other side are opponents which point out that the change can obscure the Croatian responsibility for the crime, and strengthens the revisionist policy towards the NDH (Croatian fascist state during the 2nd world war). As it turned out, the organization of the museum is related to the most important problems of the Croatian identity and the interpretation of the past.

19

Idealism in museum

71%

Klekot E.

Muzealnictwo

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2022

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vol. 63

53-58

EN

The extensive volume edited by Robert R. Janes and Richard Sandell titled Museum Activism is composed of papers by over 50 authors. They are in majority case studies, with examples from most varied institutions. Museum activism is the opposite to museum social alienation; in this respect, the first definitely draws from the many-years’ experience of New Museology and participatory museum. Museum activism advocates are negative about the commercial populism and the success measured by turnout only, and not that measured exclusively by the differentiation of the museum offer and its accessibility to minority and marginalized groups. According to the Editors, contemporary museums are more morally obliged to engage in social activism, since in the times of a radical drop of social trust worldwide, museums still constitute one of the social institutions considered as trustworthy. Many of the actions described in the book concern the sphere of museum accessibility broadly speaking, both in the sense of physical access and possibility to participate in the programme, and barriers of social nature. Another sphere of museum activism is made up of curatorial practices. The texts point to many dimensions of activist curatorial practices which, however, first of all become the space for questioning the myth about museum’s neutrality in many respects: the colonial collection genesis, attitude towards climate, narratives constructing national identity, or finally the issue of the presence of curator’s voice in an exhibition. In many of the papers the role of museums in the context of the responsibility for the climate, of raising social awareness, of constructing a new narrative on the relation between man and the world, as well as the necessity to revise one’s own praxis are reiterated.

20

Nostalgiczny wymiar muzeów gier wideo

71%

Szewerniak M.

Prace Kulturoznawcze

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2017

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vol. 21

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issue 4

119-134

EN

The article is a result of a field research conducted in Computerspielemuseum in Berlin, Arcade Hry in Prague and Video Games Consoles Museum in Karpacz (Poland). The exhibition arrangements in each of these places led to a question about nostalgic aspect of the museums, in which the traditional layout and narration of exposition contrast with the interactive space. The notion of nostalgia is the center of my research. There are however different concepts of nostalgia (as a form of memory) among the researchers studying this subject. The point that emerges is the understanding of the past that we long for. I am interested also in how the distance between the visitor and the exhibition is at once maintained and broken. This leads to the question about it being the crucial cause of awakening our nostalgia. That is why I attach importance both to the exhibition arrangement and the modes of visitors’ experience. I also consider the affective aspect of this project, in which playing the game is one of the aforementioned modes of experiencing the exhibition. I argue that the engagement video games require is the main reason why we remember our experiences, therefore it is more likely to trigger our nostalgic emotions.

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