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Werbalizacja emocji w tekstach rosyjskiej krytyki muzycznej

100%
Dzienisiewicz M.
Studia Rossica Posnaniensia
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2019
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vol. 44
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issue 1
337-349
PL
The paper is an attempt to present the ways of verbalization of emotions in Russian critical texts. The material shows examples of verbalization in two aspects of analysis: in first part the material has been divided into five groups and focused on the grammatical characteristics of the examples, in second part the author of the article attempts to compare the descriptions of emotions written in music score with examples of verbalization used in critical texts on music. The studied material shows a variety of ways of verbalization of emotions in analyzed texts
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АКСИОЛОГИЧЕСКАЯ И КОММУНИКАЦИОННАЯ ФУНКЦИИ МУЗЫКАЛЬНО-КРИТИЧЕСКОГО ТЕКСТА

72%
Белозерова Е.
Ars inter Culturas
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2017
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issue 6
145-154
EN
In this document the origin of musical criticism and musical features of critical text is considered. Based on the statements of critics of various periods, the author notes the excellent interpretation of the functions of musical-critical text. Thus, it was found that A. Sohor considered the social functions of musical criticism, regarding the place, which it occupies in music. Position of L. Melnyk is caused by the interpretation of musical criticism as an analytical segment of music journalism. From the author’s view, the most detailed features of musical-critical text are considered by O. Zinkevych and Yu. Chekan. They identified informative, interpretative, axiological, communicative, educative, regulatory and prognostic features. The author paid most attention to axiological and communicative functions of musicalcritical text and concluded that the axiological function is the main function of criticism. It is directly related to the notion of artistic discovery and depends on personal interest in the subject of art. When analyzing the communicative function, the text is seen as the act of speaking, as an expression. Communicative links between texts are also indicated. To sum up, it was concluded that serving the communicative function, musicalcritical text provides a connection among various chains of cultural and artistic process.
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Rafał Ciesielski, Polska krytyka jazzowa XX wieku. Zagadnienia i postawy, Zielona Góra 2017 Uniwersytet Zielonogórski, ss. 502. ISBN 978-83-7842-316-4

72%
Dziadek M.
Muzyka
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2021
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vol. 66
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issue 2
177-181
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