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The study uses advertising sections of the widely read and successful weekly Humoristické listy [Humorous Papers] as a source of the history of music. Through an analysis of advertisement departments, it maps the city inhabitants´ opportunities in the late nineteenth century to fill their leisure time with musical activities. The advertisements create a space where the offer encounters the inquiry. They thus become a witness to contemporary tastes, preferences, and mentalities. The research shows that alongside traditional musical instruments, which required at least a rudimentary interpretation skills to master the play, instruments operating by mechanical means (automatophones) or those designed without much artistic ambition for profane social entertainment (e.g. bigotphones) were gaining in popularity. The space in which contact with music took place was also expanding. Various refreshment venues allured people with regular concerts. The submitted text is a contribution to the history of popular music in the Czech lands, and it partly reflects the public taste of the time.
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