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Muzyka liturgiczna w dekanacie Kuźnia Raciborska po powstaniu diecezji gliwickiej w 1992 r.

100%

Kupczyk K.

Musica Ecclesiastica

2017

issue 12

135-149

For nearly 60 years, music in churches has been changing its form. Today’s way of celebration liturgy in Silesian churches, as well as in Church in overall, is mainly influenced by the teaching of the Second Vatican Council. Conciliar postulates referring to church music, which were included in the “Constitution on the Sacred Liturgy” became the impetus for a series of measures and actions aimed at enrichment and making the Silesian tradition of church singing more beautiful. The article is an attempt to describe to what extent the post-conciliar demands were reflected in the parishes of the deanery Kuźnia Raciborska, which belongs to the Diocese of Gliwice. Image of the liturgical music in the described deanery will be presented in three thematic groups: church musicians who are responsible for the shape of liturgical music, their musical and liturgical formation, the presence of choirs, as well as the technical condition and sound quality of organ. In addition to the above described issues, the author also makes an attempt to describe the overall picture of the musical life of the deanery Kuźnia Raciborska. Analysis of the theme and conclusions drawn in this article are based on the empirical data (surveys), and on the basis of own research.

The Called. Church Musicians in the Face of Cultural Changes

80%

Kierska-Witczak M.

Pro Musica Sacra

2022

vol. 20

9-28

Artykuł jest próbą zdiagnozowania wybranych kulturowych i społecznych zagrożeń oraz odniesienia ich do zawodowej codzienności muzyków kościelnych w oparciu o analizę zawarta w książce Macieja Zięby OP Kłopot za kłopotem. Katolik w dryfującej Europie. Kolejno, tekst wykorzystuje model trzech głównych komponentów muzyki sakralnej: uczucia, estetyki i misterium, sformułowanego przez teologa, członka Papieskiej Akademii Teologicznej, prof. Inosa Biffiego, aby w tym modelu poszukać odpowiedzi na interesujące nas pytanie – w jaki sposób chrześcijański muzyk może planować i realizować swoją zawodową przyszłość, czy i w jaki sposób może mierzyć się z narastającymi problemami.

The article is an attempt to diagnose selected cultural and social threats and to relate them to the everyday life of church musicians and their profession. In this regard, the reflection is based on the analysis presented in the book Kłopot za kłopotem. Katolik w dryfującej Europie [Trouble follows trouble. A Catholic in a drifting Europe] by Fr Maciej Zięba OP. In the second part, the article refers to the tripartite model of sacred music, consisting of feeling, aesthetics and mystery, proposed by an eminent theologian, member of the Pontifical Academy of Theology, Professor Inos Biffi. This model should provide answers to quetions of interest to us: How can a Christian musician plan and shape his professional future? Can he face the growing problems, and if so, then how?

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1 Musica Ecclesiastica

1 Pro Musica Sacra

1 Kierska-Witczak M.

1 Kupczyk K.

1 2022

1 2017

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Muzyka liturgiczna w dekanacie Kuźnia Raciborska po powstaniu diecezji gliwickiej w 1992 r.

The Called. Church Musicians in the Face of Cultural Changes