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The aim of this article is to present how oral biography and photo-interviews are intertwined. In this sense, it is very important to illustrate the various methods of photo fieldwork, and also  to  highlight  theoretical  concepts  (such  as  those  of  Panofsky,  Collier  and  Barthes)  in order to discover photo-analysis, the relation between oral and visual memory, and the phenomenological play between stadium and punctum. These principles are very important and useful in contemporary folklore studies. 
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