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La mise en récit de la Grande Guerre : remarques sur l’instance narratrice dans Un long dimanche de fiançailles de Sébastien Japrisot

100%
Jakubowska-Cichoń J.
Romanica Wratislaviensia
|
2014
|
vol. 61
99 - 108
EN
This article is devoted to the study of Sébastien Japrisot’s novel Un long dimanche de fiançailles (A Very Long Engagement) that belongs to the current of literature denouncing the military authorities’ abuses during the First World War. The article concentrates on the novel’s narrative devices, especially on the relations between the narrator and the protagonist’s discourse, with the intention to demonstrate that the narrator voluntarily renounces his enunciative authority, thus sharing the protagonists’ value system. In the context of the topical tendency to question the Great War’s events, the narrator’s egalitarian attitude seems eloquent, in that it legitimates the discourse that condemns the very notion of authority.
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Narrative structure of literary text: Free indirect discourse as a linguistic and narratological category

72%
Jourdy N.
Glottodidactica
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2009
|
vol. 35
59-68
EN
The paper focuses on the analysis of free indirect discourse as a modernist narrative form. We outline the basic narrative and linguistic characteristics of free indirect discourse and examine its main functions in the literary texts. We undertake a comparative analysis of three examples of free indirect discourse (drawn from the texts of G. Flaubert, F. Kafka and V. Nabokov) and display their common and distinctive features.
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