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The idea of the exclusion of necrophilic attitudes in critical psychology of Erich Fromm

100%
Śliwerski B.
Interdyscyplinarne Konteksty Pedagogiki Specjalnej
|
2020
|
issue 28
PL
The subject of the analysis is the category of the inclusion as a process that does not only apply to people with special developmental or life needs, but also to social sciences, which as a result of the positivist research paradigm have divided and separated from each other. Meanwhile, human upbringing requires the inclusion of biophilic orientation towards life in all social sciences, whose achievements should be considered and applied to improve educational processes. The Author borrows inspiration from the typology of human attitudes of Eric Fromm, because it makes readers aware of the negative effects of necrophilia in interpersonal relationships. The Author analyses Fromm’s approach against the background of selected ideas of Polish pedagogical views.
2

Między nekrofilią a objawieniem tajemnicy. Mortualne poszukiwania Ladislava Klímy

83%
Gawarecka A.
Slavica Wratislaviensia
|
2019
|
vol. 168
275-287
EN
Between necrophilia and epiphany: Thanatological fascinations of Ladislav Klíma Thanatological themes often appear in Ladislav Klíma’s prose as a characteristic keystone of his anthropological project. In some of the writer’s novel and short stories (e.g. Utrpení knížete Sternenhocha, Jak bude po smrti, Slavná Nemesis) the topic of death introduces large-scale philosophical or metaphysical speculations. It also functions as a way depicting death which is confirmed in the cultural tradition. In both cases Klíma plays a perverse and complicated game with the typical components of the European eschatological imagination. On the one hand, he shows those components in a grotesque manner, which means treating the human mortality without appriopriate respect and dignity, on the other hand he incorporates thanatological topics into his controversial project of a new cosmogony and deification of man.
CS
Mezi nekrohilií a odhaleným tajemstvím. Mortuální hledání Ladislava Klímy Mortuální tematika v tvorbě Ladislava Klímy tvoří specifický klíč k jeho antropologickému projektu. V některých Klímových románech a povídkách (například Utrpení knížete Sternenhocha, Jak bude po smrti, Slavná Nemesis) téma smrti otevírá cestu k široce pojatým filozofickým nebo metafyzickým úvahám a aktivizuje kódy mortuálních obrazů utkvělých v představách tradiční kultury. V obou případech Klíma vede složitou a určitým způsobem přelomovou hru s komponenty tanatického imaginaria umístěného ve všeobecných, skupinových evropských představách. Těmto komponentům propůjčuje groteskní rozměr, čímž zpochybňuje povinnost zobrazování eschatologických motivů s úctou či respektem a začleňuje je do svého — komplikovaného a kontroverzního — projektu nové kosmogonie a koncepce lidské deifikace.
3

Obraz nekrofilii w fantastycznej literaturze rosyjskiej XIX wieku (na podstawie twórczości Włodzimierza Odojewskiego i Aleksego Tołstoja)

83%
Kamińska-Maciąg S.
Slavica Wratislaviensia
|
2015
|
vol. 160
31 - 40
EN
The phenomenon of using psychoanalysis in the study of literature has its roots as far as the beginning of the 20th century, when actual results of studies on psychiatric patients were first used as the key to understand the meaning of literary works. In this manner, Erich Fromm, the German psychiatrist whose theories on necrophilia and biophilia are the basis for this article, employed the psychoanalytic method to analyze works of literature. Inspired by Fromm’s conclusions, the author of the article proves that 19th century Russian literature is an adequate source for presenting Fromm’s theories applied to a fictional world. Considering the notions of necrophilia and biophilia as a suitable basis for interpretation, the author comes to a conclusion that the main character of Vladimir Odoyevsky’s Fairy Tale of a Dead Body that Belonged to Nobody Knows Whom, may be a valid epitome of Fromm’s notion of necrophilia, as well as the main character in Aleksey Tolstoy’s The Family of the Vourdalak, may be an example of a person with an inclination towards biophilia or at least a mixed tendency. The psychoanalytic exegesis of these works is a notable extension to the studies of that particular period in Russian literature.
4

К вопросу о векторах освоения темы смерти в современной русской прозе

83%
Szewczenko L.
Slavica Wratislaviensia
|
2018
|
vol. 166
467-480
EN
On the vectors of studying of the topic of deathin modern Russian prose In Russian prose of the past decades, one can see the broadening of the scope of mortal spaces presented. Traditional chronotopes of the trench war, battlefield, hospital, deathbed, cemetery, sites of murder and suicide are now complemented by the chronotope of exclusion zones after environmental or other catastrophe, the chronotope of foreign land of long-distance and hybrid warfare, and the chronotope of acts of terror and territories suffering from pandemics. There appear new angles of comprehension of the thanatological characters, plots, and topics. The article deals with the analysis of how the aforementioned are reflected in the works by S. Aleksievych, O. Yermakov, Z. Prilepin, E. Vodolazkin, O. Postnov, K. Khutsishvili, D. Bortnikov, M. Hobbel and other authors.
UK
До питання про напрямки розвитку теми смертів сучасній російській прозі В російській прозі останніх десятиліть спостерігається значне урізноманітнення зображуваних мортальних просторів. Традиційні хронотопи війни, поля бою за свою вітч-изну, шпиталя, кімнати, де вмирає людина, доповнюються хронотопами зони відчудження після тегногенної катастрофи, ареалу чужої землі, де тепер відбуваються дистанційні та гибридні війни, хронотопами скоєння терористичних актів та територій поширення пандемії. Відкриваються нові ракурси бачення та осмислення танатологічних героїв, сюжетів та тем. В статті йдеться про специфіку їхньої актуалізації у творах С. Алексієвіч, О. Єрмакова. З. Прилєпіна, Є. Водолазкіна, О. Постнова, К. Хуцішвілі. Д. Бортникова, М. Хоббель та інших авторів.
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