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PL
Procesy emancypacyjne, z jakimi mamy współcześnie do czynienia, wprowadzają istotne zmiany w stylu życia kobiet, w ich podejściu do organizacji czasu i w poruszaniu się w przestrzeni. Ta wolność dotyczy nie tylko podróży w sensie fizycznym, ale również daje prawo „wymyślania nowych sposobów postępowania z naszym życiem, nowych schematów przedstawiania nas samych”. Pojawił się też większy dostęp do innego stylu życia, jakim jest nomadyzm. Metaforę pojęcia „nomada”, „nomadyzm” wprowadzili do obiegu m.in. Kenneth White, Gilles Deleuze czy Rossi Braidotti, oraz znalazło się w literaturze współczesnej. Na potrzeby tej pracy przedstawię obraz kobiety nomadki i nomadycznego stylu życia w analizie porównawczej dwóch powieści – Piaskowej Góry i Chmurdalii Joanny Bator. Osobą łączącym obie powieści jest główna bohaterka – Dominika.
EN
The emancipation processes we are dealing with nowadays introduce significant changes in women’s lifestyle, their approach to the organization of time and their movement in different areas of life. This freedom applies not only to the journey in the physical sense, but also gives the right to „invent new ways of dealing with our life, new patterns of presenting ourselves”. Therefore, a greater access to a different lifestyle – nomadism – has emerged. The metaphor for the concept of the nomad and nomadism was implemented by Kenneth White, Gilles Deleuze, Rosi Braidotti and then it was also found in contemporary literature. For the purpose of this thesis, I will present the image of a nomadic woman and the nomadic lifestyle based on comparative analysis of two novels – ‘Piaskowa Góra’ and ‘Chmurdalia’ by Joanna Bator. The character who connects both novels is the main heroin – Dominika.
EN
The purpose of the article is to illustrate the complexity of identitary dilemmas experienced by Stefano Marcovich, the autobiographical protagonist of Fulvio Tomizza’s novel La città di Miriam. The research concentrates on analysing the nomadic aspects of Stefano’s personality, using Rosi Braidotti’s concept of nomadic subjects with a particular focus given to some creative strategies of re-location used by those subjects in their continuous flow between identities. Stefano, an Istrian refugee, is married to a Triestine girl named Miriam to whom he is unable to be faithful. The study of a long series of his extramarital affairs shows that his “erotic nomadism” is strictly connected to the identitary crisis of a “rootless being”.
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