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EN
Poland is at present the scene of work on ammendments to the Law on construction and the Decree of the Minister of Spatial Economy and Construction concerning technical conditions for buildings and their location. These regulations will be also binding for historical buildings subjected to construction work. The author draws attention to the fundamental contradiction contained in the formulation of the Law on construction which mentions the observation of the law on the protection of cultural property and the obligation to apply contemporary construction norms and regulations. Owing to the obligatory employment of those regulations, historical monuments which were created in different conditions will become the victim of devastation and deformation. Alongside these basic contradictions in the proposed Law on construction, there exists a whole series of faults such as the exclusion of the mandatory supervision performed by the author of the project, or the absence of the State Conservation Service in specialist supervision (as regards historical buildings). Subsequently, the author demonstrates that in the majority of instances it is impossible to apply the regulations of the decree in question without the destruction of certain historical elements. This holds true i.a. for outer doors, windows, ceilings and, predominantly for stairs which due to the implementation of the decree will be doomed to total disappearance although they do not constitute a value in themselves but comprise an essential element of the spatial configuration of the given historical building. The closing part of the article proposes statements which should be included in the Decree in order to avoid the destruction of historical monuments as a consequence of its appliance.
EN
The problems connected with protection of architectural monuments dating from the second half of the 19th and the first half of
EN
This paper is devoted to the issue of wooden architecture protection in so called open-air museum. Unique form of certain buildings is closely related to their educational and expositional functions. In the museums attempts are frequently made to reconstruct the whole village cultural landscape in a given period of time. This aspect is often more important than the building history or the original materials maintenance. What is more, the conditions of rural architecture are worsening all the time. These factors contribute to the phenomenon of making copies of the buildings. The ideas of this kind are nowadays widely applied by a number of museums. The issue of creating a new museum as well as the attempts made to maintain original monuments has been analyzed on the examples of six conservation projects of the buildings earmarked to be transferred to Olęderski Park Etnograficzny (Haulander Ethnographic Park) in Wielka Nieszawka. These buildings are very much unique in terms of construction as well as spatial design. They were adjusted to the terrain conditions of the Vistula plains exposed to floods. This manner of building was typical of the Haulander colonization. Most of the most valuable buildings come from the 18th century. They will be removed and transferred to the reconstructed cultural landscape dated back to the beginning of the 20th century. Detailed architectural research enabled to establish the chronological boarders of the whole project. The most important features of the buildings were revealed through the analysis of the building materials, reconstruction and the final conceptual project. Three farm buildings will be inserted in the historical village landscape. These are: the one that includes staff rooms, cash desk and the exhibition dedicated to Protestantism; the one that shows impoverished single-building farm typical of the 18th century and the wealthy one that consists of arcade house, workers house, granary and the barn. The latter is to present the prosperous farm typical of the beginning of the 20th century. What is significant, the possibilities of reconstruction have been taken into consideration while preparing the area. That means the maintenance of the original substance (often in deteriorating conditions) was the most important in the project while the restoration work was limited. Translated by Karolina Pszczółkowska
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