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EN
a2_Implications. Gaining a deeper understanding of how young adults and seniors understand forgiveness and its effects, what they perceive as helpful or blocking in their forgiving, can help counselors and therapists to improve their interventions aimed at promoting forgiveness.
EN
In my study, I address Robert Brandom’s book A Spirit of Trust through the prism of heroism, a concept that he takes from Hegel’s Phenomenology of Spirit. For Brandom, this concept is not only key to the analysis of Hegel’s work, but it above all introduces the method with which Brandom crowns the years-long construction of his own philosophical system based on the concepts of incompatibility and inference. Heroism and the related concept of magnanimity are manifestations of historical consciousness established in three acts of semantic consciousness: re-presentation, re-cognition (recognition) and re-collection (remembrance).
CS
Ve své studii se věnuji Brandomově knize A Spirit of Trust prizmatem pojmu hrdinství, který přejímá z Hegelovy Fenomenologie ducha. Pro Brandoma je tento pojem nejen klíčem k analýze Hegelova díla, ale především představuje způsob, jímž završuje letité budování svého vlastního filosofického systému založeného na pojmech inkompatibility a inference. Hrdinství a s ním spřízněný pojem velkomyslnosti jsou projevy historického vědomí ustanoveného ve třech aktech vědomí sémantického: v re-prezentaci, re-kognici (uznání) a re-kolekci (vzpomínce).
EN
While the human capacity of storytelling constitutes an important meta-textual motif in several of McEwan’s novels, Atonement (2001) is his prominent story about storytelling and its moral value. McEwan has at times suggested that narrative imagination can help us enter other people’s lives and thus forms a pre-condition for any contemporary morality. The article reads Atonement as an attempt to put this belief in narrativity to the test. Moreover, it addresses the role played by non-literary narratives in the self-understanding of individuals and groups. When asking how deeply narrative we are according to McEwan, the present article suggests that the key distinction the novel Atonement enables us to draw is not the one between the “narrativist” and “anti-narrativist” approach, but between two complementary experiences of time whose interplay makes our life unstable and prone to failures.
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