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EN
The article presents the character and activity of Antoni Alojzy Gąsiorowski, editor, publisher, bookseller, issuer and printer operating chiefly in Masuria. Born to a Polish family, initially acted to the benefit of Poland and national identity. Later on, due to economic and personal reasons, he changed his attitude and became a livid supporter of germanisation. Hefocused his publishing activity on books and journals issued both in Polish and German. Undoubtedly, his greatest editorial achievement was the "Kurek Mazurski", in German "Der masurische Hahn", issued at first in Szczytno, then in Jańsbork (now Pisz) as a result of moving the publishing house. Despite his actions, Gąsiorowski may be seen as an advocate of the Polish identity in Masuria; the works he published, though written in poor Polish, acted to the benefit of popularising the Polish language among local inhabitants of Masuria.
EN
The publishing house in Braniewo operated in the years 1589 - 1773. Its activity can be divided into two periods. The first is that it is operated and conducted by six private typographers: Jan Saxo, Jerzy Schönfels, Kacper Weingärtner, Piotr Freimuth, Piotr Schultz and Piotr Rosenbüchler. The second period is the years 1697 - 1773, when the publishing house was managed by the Society of Jesus. The collection of the Library of the Museum of Warmia and Mazury in Olsztyn includes 64 old prints issued by this typography. The author analyzed 20 of them. A chronological key was used in the description. The selection was made additionally due to provenance marks on the volumes. Selected examples of old prints reflect the publishing character of the publishing house. The prints from the museum collection complement the prints from Braniewo kept in other libraries, including in the Library of the Higher Theological Seminary of the Warmia Metropolitan Area "Hosianum" in Olsztyn and the University Library in Uppsala.
PL
Oficyna wydawnicza w Braniewie funkcjonowała w latach 1589 – 1773. Jej działalność podzielić można na dwa okresy. Pierwszy to funkcjonowanie i prowadzenie jej przez kolejno sześciu typografów prywatnych: Jana Saxo, Jerzego Schönfelsa, Kacpera Weingärtnera, Piotra Freimutha, Piotra Schultza oraz Piotra Rosenbüchlera. Drugi okres to lata 1697 – 1773 kiedy oficyna zarządzana była przez Towarzystwo Jezusowe. W zbiorach Biblioteki Muzeum Warmii i Mazur w Olsztynie znajdują się 64 stare druki (w tym 68 tytułów) wydane przez ową typografię. Autorka poddała analizie 20 spośród nich. Przy opisie posłużono się kluczem chronologicznym. Wyboru dokonano dodatkowo ze względu na znaki proweniencyjne znajdujące się na woluminach. Wybrane przykłady starych druków odzwierciedlają charakter wydawniczy oficyny. Druki z kolekcji muzealnej są uzupełnieniem druków braniewskiej przechowywanych w innych bibliotekach m.in. w Bibliotece Wyższego Seminarium Duchownego Metropolii Warmińskiej „Hosianum” w Olsztynie i Bibliotece Uniwersyteckiej w Uppsali.
DE
Die Beteiligung H. Wietors an der Veröffentlichung von Texten Andersgläubiger erweckt seit langem das Interesse der Forscher. Nachdem im Bücherbestand der Lateraner Regularkanoniker ein Exemplar der Schrift Epistola Martini Lutheri ad Henricum VIII. von 1527 gefunden worden war, konnte man die Entstehungsumstände dieser Ausgabe ausführlicher darstellen. Die Arbeit von Wietor hatte einen weltlichen Charakter und diente der Be­kanntmachung der Renaissancelosungen. Der Buchdrucker wollte einerseits die Nachfrage des Marktes erfüllen, andererseits wollte er in Übereinstimmung mit seiner Überzeugung von der Notwendigkeit der Kirchenreform bleiben, deshalb engagierte er sich für den Bezug nach Krakau und die Verbreitung der mit dem katholischen Glauben nicht im Einklang stehenden Werke. Die Herausgabe des Briefes von M. Luther und der ihm beigefügten Antwort Heinrichs VIII. hatte ein mit der Werkstatt Wietors zusammenarbeitender englischer Humanist, Pädagoge und Professor der Krakauer Universität Leonard Cox zum Druck vorbereitet. Diese Ausgabe zeugt deutlich von dem Interesse Wietors und Cox an der Entwicklung der Reformation in Deutschland. Es entsprang aus ihrer aktiven Teilnahme am Geistesleben des damaligen Europas und aus den unmittelbaren Kontakten mit dem in Krakau wirkenden sog. „Trzecieskikreis“ und den Erasmuskreisen.
PL
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IT
Il termine antifonario di A. Pìotrkowczyk definisce un gruppo di libroni pubblicati dal sopraddetto editore, Andrzej Piotrkowczyk, e dai suoi posteriori negli anni 1600, 1607, 1614, 1645. Il numero delle edizioni non era finora ben noto, però la sua precisione è diventata possibile da quando era trovata 1' edizione del 1614 che sembrava inesistente. Le edizioni particolari furono dedicate agli illustri rappresentanti della Chiesa (il primate St. Karnkowski, il vescovo di Warmia – Sz. Rudnicki, il primate – W. Gembicki, il vescovo di Cracovia – P. Gembicki). Il contenuto dei libroni comprende le antifone e responsoria prolixa inse-rite nel proprium de tempore, proprium de sanctis e commune sanctorum. Inoltre nell'edizione del 1645 c'è un largo supplemento che comprende officia sui santi e sulle feste introdotte nel periodo dall'ultima edizione del 1614. I testi sono stampati nel carattere tondo, le note – in gotico, gli ornamenti – rappresentati dagli iniziali e dalle vignette. Sono sconosciuti i nomi dei redattori dei sopraddetti antifonari. Si suppone soltanto che l’autore della terza edizione (1614) sia Kasper di Kleczewo. Alcune annotazioni fatte a mano nel 1838 (ediz. terza) e nel 1880 (ediz. quarta) offrono argomento che: libroni furono in uso per ben più di 250 anni. Gli antifonari di A. Piotrkowczyk hanno un valore di monumenti dell'epoca post-tridentina e perciò sono di grande importanza per la storia del canto gregoriano in Polonia.
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