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EN
This study is devoted to analysis and an edition of the libretto to the opera Záboj by the Czech composer and music theorist Josef Leopold Zvonař (1824–1865), composed to a libretto by the writer Alois Vojtěch Šmilovský (1837–1883). The subject matter is taken from the poem Záboj, which is in turn from the Dvůr Králové Manuscript, a supposedly medieval text that was “discovered” in 1817 by Václav Hanka. This literary forgery, together with the Zelená Hora Manuscript, is a specifically Czech manifestation of European Ossianism, profoundly influenced Czech culture and society. It is here that the figure of the bard makes its first appearance in Czech opera – a singer and warrior who leads an uprising against German conquerors. The work has never been performed as a whole, but it represents a noteworthy documentation of the efforts to achieve a Czech national style before the arrival of Bedřich Smetana.
CS
Studie Michala Fránka a Jiřího Kopeckého je věnována analýze libreta opery Záboj od hudebního skladatele Josefa Leopolda Zvonaře (1824-1865); autorem libreta je Alois Vojtěch Šmilovský (1837-1883). Námět pochází z Rukopisu královédvorského, jednoho Hankových padělků "objeveného" v roce 1817. Analýza se zabývá významovým výkladem libreta v kontextu specificky české manifestace v rámci národního obrození. Zvonařovo dílo je prvním operním zpracováním tohoto literárního námětu a poprvé též pracuje s postavou barda. Zajímavostí je, že opera zatím nebyla nikdy provedena jako celek. Součástí studie je edice libreta.
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