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Współczesna polska eseistyka w poszukiwaniu aury obrazów malarskich i fotograficznych

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Lisak-Gębala D.
Zagadnienia Rodzajów Literackich
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2013
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vol. 56/112 z. 2
223-237
EN
Contemporary polish essays on paintings and photographs, by Wojciech Karpiński, Zbigniew Herbert, Ewa Bieńkowska, Jarosław Iwaszkiewicz, Wojciech Nowicki and Jacek Dehnel, are described in the article as the specific kind of real or envisaged journey — undertaken in space and time, in search for pictures’ aura (Walter Benjamin’s notion). Since essayists often mention about numerous obstacles that hinder the fully individual contact with famous paintings (eg. overabundance of known descriptions and artificiality of museum expositions), the increasing writer’s interest in old, unique photographs could be regarded as an enclave for experience of aura.
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Brazylijski rejs „Lwowa” na łamach „Świata” i „Tygodnika Ilustrowanego”

80%
Gabryś-Sławińska M.
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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2021
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vol. 21
235-255
EN
The aim of this article is to compare the modelling of media and memoir coverage of the Brazilian voyage of the “Lviv” in 1923 in two popular illustrated cultural magazines of the interwar period: Świat and Tygodnik Ilustrowany. To reconstruct the forms the message, publications from the years 1922-1925 were traced, i.e., those printed before, during, and shortly after the voyage. Using the comparative method and editorial collation, B. Pawłowicz’s and T. Dębicki’s reports published in the magazines were compared with their first book editions. As a result of this contextual analysis, the author shows how the choice of the information strategy pursued by the periodical influenced the modelling of the travel message. This information strategy also determined the reduction of the components presented and led to the creation of two separate stories, bringing people closer to the reality of life in São Vicente, Portugal, or the Brazilian state.
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