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En busca de lo hablado en lo escrito en los corpus diacrónicos del español: una comparativa con los corpus anglosajones

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Rodríguez Puente P.
e-Scripta Romanica
|
2018
|
vol. 5
89-127
EN
The present work analyses the diachronic corpora of Spanish available to date, paying especial attention to the scarce representation of the spoken language in them. Although it is true that the creation of diachronic corpora of Spanish has progressed significantly over the last forty years, there is still room for improvement, especially as regards peninsular Spanish, as well as the inclusion of documents that allow diatopic, diaphasic and diastratic analyses from the diachronic perspective. This piece of research provides data from three English diachronic corpora along these lines, which might be taken as a point of departure for the creation of similar tools in Spanish.
ES
El presente trabajo indaga en los corpus diacrónicos del español disponibles hasta la fecha, prestando especial atención a la escasa representación en los mismos de textos que se aproximan al plano oral. Si bien es cierto que la creación de corpus diacrónicos del español ha avanzado significativamente durante los últimos cuarenta años, todavía hay cabida para mejoras, especialmente en el ámbito del español peninsular y en lo que se refiere a la inclusión de textos que permitan estudios de las variedades diatópicas, diafásicas y diastráticas desde la perspectiva diacrónica. Esta investigación ofrece además datos sobre tres corpus diacrónicos en lengua inglesa centrados en esta línea, que se podrían tomar como modelo para la creación de herramientas similares para el español.
2

La noción de "skaz" y la dimensión crítica del relato oral según Borís Éichenbaum

100%
Càmara Outes C.
Estudios Hispánicos
|
2019
|
vol. 27
141-152
EN
In this paper we try to recover for contemporary critical debate the notion of skaz elaborated by literary theorist Boris Eikhenbaum. For this, we will study four different texts written between 1918 and 1925. In them we will try to appreciate an evolution that leads from a certain initial “essentialismˮ (the voice as the hidden essence of the narrative) to a much more historicist and relativist position, in which it is especially important how skaz appears and is combined with other techniques and procedures in each concrete literary context, in order to produce the effect of “deautomatisation.” In this way, it seems to us that the notion of skaz can still make a valid contribution in the ongoing discussions about the forms of oral transmission of literature, and its radical potential for resistance in contexts of cultural inequality and oppression.
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