Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  oralitat
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

De mestre d’aixa a Banyalbufar a president de Cuba. Mateu Mir Albertí Mateito : una construcció biogràfica a partir de l’oralitat

100%
Vibot Railakari T.
Estudios Hispánicos
|
2019
|
vol. 27
105-115
EN
The purpose of the study is to analyse a case of biographical creation based on orality. To do this, interviews have been used with seven witnesses through the programme on autonomous television of the Balearic Islands (IB3), L’Hora D, entitled “Vox Populi”. The study is based on the modal classification and ethnopoetic genres proposed by Heda Jason in his Motif, type and genre (2000). Two narrative levels are analysed: the anecdotes and the story of personal experiences. The result of the application of this methodology leads to a biography, whose limits are never clear, which evidently creates affirmations, negations and contradictions in multiple directions. The result, therefore, leads to a story that is still unfinished today.
2

L’oralitat com a origen de la narrativa de Jesús Moncada

100%
Garcia Fuster A.
Estudios Hispánicos
|
2019
|
vol. 27
117-128
EN
Jesús Moncada’s narrative presents an oral substrate in the form of rumours, gossip, grudges or disputes that take place in the little village of Mequinensa, where everyone knows each other. Following the theories of Eric Havelock, Paul Zumthor, and Walter J. Ong, which identify in orality the source of any literary expression, we analyse the evolution of Maquinensan loud secrets and hidden truths into stories and how the skilful writer is able to turn simple anecdotes into great narrative plots. In this paper, several examples from short stories and novels are analysed, and the differences in the role of orality in each genre are described and examined. Furthermore, the role of casual conversation as an oral start-point of Moncada’s stories is highlighted.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.