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Mieczysław Klonowski

100%
Stępień B.
Folia Organologica. International yearbook of organ and organ music
|
2018
|
issue 1
125-126
PL
Pro Memoria
2
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Jan Wyleżol

80%
Stępień B.
Folia Organologica. International yearbook of organ and organ music
|
2018
|
issue 1
127-128
PL
Pro Memoria
3
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Potrzeba ochrony i konserwacji zabytkowych organów

61%
Dorawa M.
Ochrona Zabytków
|
1970
|
issue 2
125-127
EN
No warrants are required nowadays for the need to preserve ancient organs. However, to have the preservating operations carried out in a proper manner it seems necessary that a number of quite specific features be taken into account which are characteristic for these objects. Considering the problem from a general viewpoint it may be stated that organs are built up of a housing, usually having form of an artistically shaped and decorated prospect, which the unit should be subjected to preservating operations carried out on principles normally applied in similar works covering other historical monuments present in the church nave, of the instrument itself composed of three mechanisms, namely wind- -chest, sound-emitting unit together with its equipment, and, finally the console. As a rule the preservation of such an instrument aimed at preserving both its purely artistical and musical qualities, and original construction should be carried out by an experienced and skilled organ- -builder under a strict supervision by special staff of experts. To gather possibly full information with regard to actual stock of monuments belonging to that category and also to define the extent of preservation requirements a detailed inventory should be prepared using ad hoc prepared blanks the particular columns of which are discussed in detail by the author.
4
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Budownictwo organowe na Słowacji po roku 2000

51%
Adamko R.
Folia Organologica. International yearbook of organ and organ music
|
2023
|
issue 1
7-21
EN
A total of 60 organs were built in Slovakia after 2000, including 10 positives, 13 smaller one-manual instruments, 30 two-manual instruments, 6 three-manual instruments and one four-manual instrument. In addition to Slovak and Czech organ-builders, other foreign companies became contractors for these installations, and brought a new level of quality, as they followed the most modern trends in organ-building to a much greater extent. Some Slovak companies have also moved in this direction. However, anachronistic approaches can also be noted, especially among the older generation of Slovak organ builders. The tonal concept of many new instruments is aimed at creating versatility. In recent years, however, there has been an emerging trend to create stylistically distinct dispositions.
5
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Historia organów w kościele pw. św. Wojciecha i Matki Bożej Bolesnej w Modlnicy

41%
Matoga P.
Nasza Przeszłość. Studia z dziejów Kościoła i kultury katolickiej w Polsce
|
2020
|
vol. 133
213-226
EN
The subject of the article is the history of the organ in the church of St. Adalbert and Our Lady of Sorrows in Modlnica. The article is based on the results of archival queries, with the largest number of sources coming from the parish archive. The research shows that the organ was present in the church at least from the first half of the 18th century. The present instrument was built in the years 1843–1844 by the Cracow organ builder, Ignacy Wojciechowski and was repaired, renovated and rebuilt several times. In 1888, the son of Ignacy, Tomasz Wojciechowski from Cracow, carried out the renovation, while in the second half of the 20th century, the company of Henryk Siedlar from Cracow added a pedal section to the instrument. The article contributes to the history of musical life in the parish of Modlnica and to the biography of Ignacy and Tomasz Wojciechowskis.
PL
Przedmiotem artykułu jest historia organów w kościele pw. św. Wojciecha i Matki Bożej Bolesnej w Modlnicy. Tekst oparty jest na rezultatach kwerend archiwalnych, przy czym najwięcej źródeł pochodziło z archiwum parafialnego. Podjęte badania wykazały, że organy w rzeczonej świątyni istniały co najmniej od pierwszej połowy XVIII w. Obecny instrument zbudował w latach 1843–1844 krakowski organmistrz Ignacy Wojciechowski. Organy te były wielokrotnie naprawiane, remontowane i przebudowywane. W 1888 r. renowację przeprowadził syn ich budowniczego, Tomasz Wojciechowski z Krakowa, natomiast w drugiej połowie XX w. firma Henryka Siedlara z Krakowa rozbudowała instrument o sekcję pedału. Artykuł stanowi przyczynek do historii życia muzycznego w parafii modlnickiej oraz do biografii Ignacego i Tomasza Wojciechowskich.
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