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Věci/znaky, jazyky/komunikace, kultura a cena lidského vědomí: o konstrukci kulturních hodnot „zdola“ a novém humanismu

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Volek E.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

2016

vol. 54

9-27

This transdisciplinary study (involving humanities, anthropology, linguistics, and philosophy) contrasts the reductionist ideological “top-down” focus on the construction of our cultural “world” with the meandering technical “bottom-up” approach, searching for forgotten or usually omitted aspects in current studies of culture. The discovery goes from the cultural “thing theory” to semiotics, to communication, and to the emergence of human language from the biosemiotic and zoosemiotic processes of communication, in order to examine the impact of these processes on human culture and cultural theories. Finally, based on “heretical ideas” of Jan Patočka and Martin Heidegger, some philosophical implications for the new humanism and for humanities are outlined.

O nutnosti psaní literárních dějin i po konci dějin

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Eshelman R.

Slovo a smysl - Word & Sense

2015

vol. 12

issue 23

94-104

The article advocates a return to an explicitly epochal (binary) approach to literary history, in place of the dominant poststructuralist approach which focuses on the way a plurality of discourses interact in and around literature. In particular, the article attempts to provide specific criteria for delineating the epoch after post-postmodernism, which the author calls “performatism”. The distinguishing features of this new epoch are: 1) double framing (narrative closure); 2) semiotic monism (ostensivity); 3) a separate, dense subject, 4) a set towards transcendence; and 5) the stylization of authorial dominance over the text. The paper defines in detail how these criteria differ from postmodernism and then applies them to the short story Seno by Jan Balabán.

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1 2015

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Věci/znaky, jazyky/komunikace, kultura a cena lidského vědomí: o konstrukci kulturních hodnot „zdola“ a novém humanismu

O nutnosti psaní literárních dějin i po konci dějin