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The uncanny and the ghostly nature of the world in Stanley Kubrick's "The Shining" (1980)

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Biotti G.
Lublin Studies in Modern Languages and Literature
|
2019
|
vol. 43
|
issue 4
DE
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
EN
This article analyzes Stanley Kubrick's film The Shining (1980) in its complex textuality, where ghosts, spectrality and repetition compulsion play a relevant role in defining the symbolic space of a contemporary gothic story about madness, fear, evil traces and perception. In a context where time is out of joint, and where evil laws try to frame human presences in a dimension of distress, spectral presences shape a ghostly world where fears and violence are defeated by a special mental strength, the 'shining'.
FR
L'article contient uniquement les résumés en anglais.
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