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Kafkovy překlady za života (1909-1922)

100%
Soukup J., Szarková S., Mittnerová L.
Česká literatura (Czech Literature)
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2015
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vol. 63
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issue 5
672-706
2
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Druhé vydání Francouzské poezie — Karel Čapek jako překladatel a zprostředkovatel jedné vyvíjející se literatury

75%
Bentivogli E.
Slovo a smysl - Word & Sense
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2018
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vol. 15
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issue 29
115-136
EN
The paper examines Karel Čapek’s translation of French poetry and, more specifically, the differences between the two editions of Francouzská poezie nové doby (1920, 1936). Whilst previous studies were primarily focused on the linguistic and artistic quality of the Czech translation, this analysis retraces the possible reasons behind Čapek’s choice of texts. Reviews, essays and even personal correspondence are taken into consideration in order to reach a deeper understanding of Čapek’s critical opinion of contemporary French literature.
3
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Hrabalova Příliš hlučná samota v anglickém překladu

75%
Rufferová A.
Slovo a smysl - Word & Sense
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2018
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vol. 15
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issue 29
150-170
EN
The aim of the study is to outline findings and conclusions of the research project the author conducted within her thesis. The thesis deals with Hrabal’s novella Too Loud a Solitude in the English translation, which was analysed, and it also discusses the historical context creating both the translation and the original text written in three variations. One of the aims of the translation analysis was to determine which text is the translation based on, because the English text is significantly different from the mostly published Czech text. The thesis also deals with reception of Too Loud a Solitude by both ‘common’ readers and academics and it compares the approach to the novella in the English and the Czech discourse. Shifts in the translated text and differences in academic reception are discussed on the background of the theory of cultural manipulation.
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Inspirace, spolupráce a polemiky v korespondenci Jakuba Demla a Jaroslava Durycha

63%
Staňková V.
Česká literatura (Czech Literature)
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2018
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vol. 66
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issue 3
359-394
EN
This study deals with the hitherto little known correspondence between writers Jakub Deml (1878-1961) and Jaroslav Durych (1886-1962), which has only been partially researched. This is an extensive collection of correspondence of importance to both writers, which took place over two periods (1906-1909 and 1916-1959). The letters from the first period document both their translation collaboration with the old Imperial publisher Josef Florian and their own work, as well as their opinions on the contemporary literary and social science. However, they also record the first substantial disputes between the two writers, primarily involving their different conceptions of Catholic faith and their view of poet Otokar Březina. During the second period Deml and Durych exchanged mail more intensively around the late 1910s and the early 1920s. This study presents their collaboration on Deml’s Šlépěje (Footprints) and summarizes the reasons for its termination. The final part focuses on the sharp controversy provoked by Deml’s book Mé svědectví o Otokaru Březinovi (My Testimony on Otokar Březina, 1931). Both writers publicly engaged in these polemics on the pages of their own publicity platforms, resulting in the end of their friendship for a long time. They did not resume their correspondence until almost twenty years later.
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Překlady Vítězslava Nezvala : Rimbaud, Baudelaire, Mallarmé

63%
Pelán J.
Česká literatura (Czech Literature)
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2017
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vol. 65
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issue 1
5-47
EN
This article analyses three sets of translations that form the core of Vítězslav Nezval's translation work: The Work of Arthur Rimbaud (1930), The Poetry of Stéphane Mallarmé (1931) and a selection from Les Fleurs du Mal by Charles Baudelaire (completed 1931, published posthumously 1964). It observes that Nezval declares the translation to be an "analogy and imitation of the original poem", created ex novo from the original "content and verbal material", as this is in line with translation theory at that time, which demanded that a translation should above all be an original poem. In keeping with this principle, Nezval has Rimbaud speak in the modern poetic language which speaks for itself in his collections. His poetic licence is then excused, if not justified, by the conviction that Rimbaud's poetics are the product of a modernism that basically consists in the associative mechanism. However, Rimbaud's, Baudelaire's and Mallarmé's modernism does not work on the basis of the associative principle: quite the reverse, the works of all these poets are characterized by highly rational structuralization. Hence Nezval presented a quite specific "imitation" of the original texts, projecting his own poetics that were in thrall to a cubist-poetist faith in poetic imagery in perpetural motion.
CS
Autor ve své stati podrobuje analýze tři překladové soubory, jež vytvářejí jádro překladatelského díla Vítězslava Nezvala: Dílo J. A. Rimbauda (1930), Poezii Stéphana Mallarmého (1931) a výbor z Květů zla Charlese Baudelaira (dokončeno 1931, publikováno posmrtně 1964). Konstatuje, že jestliže Nezval prohlašuje překlad za "analogii a imitaci původní básně", vytvořenou ex novo z původního "slovního a obsahového materiálu", je zajedno s dobovou teorií překladu, požadující, aby překlad byl především původní básní. V intencích této zásady dává Nezval promluvit Rimbaudovi onou moderní básnickou řečí, jíž ve svých sbírkách promlouvá sám. Licence jsou pak omluveny, ne-li zdůvodněny přesvědčením, že Rimbaudova poetika je produktem onoho modernismu, v jehož základech leží asociativní mechanismus. Modernismus Rimbaudův, Baudelairův a Mallarméův však s asociativním principem nepracuje: díla všech těchto básníků naopak charakterizuje hlubinně racionální konstrukční práce. Nezval tak podal značně specifickou "imitaci" původních textů: promítl do nich svou vlastní poetiku, okouzlenou kubisticko-poetistickou důvěrou v samopohyb básnické obraznosti.
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Překladová čeština v korpusech:

63%
Chlumská L., Richterová O.
Naše řeč (Our Speech)
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2014
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vol. 97
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issue 4-5
259-269
EN
It is a well-established fact that corpus design, including its representativeness, has a major influence on any corpus research. The discussions usually cover the selection of text types or genres, or the choice of specific texts, while the issue of translations often remains unnoticed. The objective of this paper is to summarize approaches to translated texts in international corpus linguistics, to introduce the CNC corpus design regarding translations, and to present some examples which demonstrate that texts translated into Czech may differ from original Czech texts and thus affect the research results.
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Obtíže přechodu od rukopisu k tištěné knize na příkladu díla Řehoře Hrubého z Jelení

63%
Neškudla B.
Knihy a dějiny (Books and history)
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2019
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vol. 26
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issue 1-2
131-147
EN
The article deals with the problems that stood in the way of the emerging book printing in the Czech lands as well as abroad and shows some specific obstacles on the example of Řehoř Hrubý of Jelení. Hrubý initially published his translations in print; then he stopped publishing for several years; in the last years of his life, he prepared, within a short period of time, several other extensive translations, but only in manuscript form. The reasons may have included the possibilities of the book printing at that time, which did not allow the publication of his works in the corresponding quality, as well as the adaptation to the needs of his readers. Economic factors may have been involved as well, because Hrubý struggled with the lack of funds. That was one of the reasons why he began to create personalised manuscripts for remarkable figures (Prague Town Council, the king of Bohemia Vladislaus II Jagiello).
8
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„in der Geschichte des tschechischen Buches ein beispielloser moralischer Erfolg“.

51%
Kasten T.
Slovo a smysl - Word & Sense
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2015
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vol. 12
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issue 24
126-154
EN
The 1918 founding of the independent Czechoslovak Republic completely changed the political and social framework of the mutual Czech-German literary transfer. In lieu of the multi-national state of the Habsburg monarchy, the discursive and institutional field of the mediating of Czech literature to the German readership was delineated by the issue of ethnic minorities, as a new instrument of foreign cultural policy. Against this historical background, the paper follows the genesis of the German translation of Jaroslav Durych’s Bloudění, brought out in 1933 as Friedland by Piper Publishing in Munich, and maps the particular mediating processes and networks and the thus incited debates regarding the direction of Czechoslovak foreign policy.
CS
Založením první československé republiky se česko-německý literární transfer ocitl v naprosto novém politickém a společenském kontextu. Diskurzivním a institucionálním rámcem prostředkování české literatury německému čtenářstvu již nebyl mnohonárodnostní stát habsburské monarchie, tvořila jej problematika menšin jako tehdy nový nástroj zahraniční kulturní politiky. Na tomto historickém pozadí je v předloženém článku sledován vznik německého překladu románu Jaroslava Durycha Bloudění, který roku 1933 vyšel pod názvem Friedland v mnichovském nakladatelství Piper. V té souvislosti jsou analyzovány konkrétní procesy zprostředkování a zprostředkovatelské sítě a také s nimi související diskuze o směřování československé zahraniční kulturní politiky.
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Nářečí v českém překladu Falletova románu La soupe aux choux (Zelňačka)

51%
Komárková Z.
Naše řeč (Our Speech)
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2018
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vol. 101
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issue 1
38-48
EN
In translating the novel La Soupe aux choux (Cabbage Soup) into Czech (as Zelňačka), the main problem seems to lie in the creation of an adequate equivalent of the stylized speech of the French villagers from the Bourbon area. A traditional territorial dialect (above all from Moravia or Silesia) would imply a false location, therefore it proved useful to primarily combine language means belonging to multiple sub-groups of the so-called Czech dialects in the narrower sense, and to supplement this base with some less current elements (e.g. from Moravian dialects).
10
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Italské aktivity na poli česko-italských meziválečných vzájemných vztahů

38%
Skříčková E.
Slovo a smysl - Word & Sense
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2022
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vol. 19
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issue 40
86-102
EN
The reviews, editorials, and short summaries that appear in archived Czech periodicals provide an abundant source of documentation on the propagation of Italian culture, as well as the Italian reception of Czech literature and culture, shedding light on a number of important figures and institutions that played a role in Czech-Italian cultural exchange. This study examines the mutual cultural relations that took place at the level of various institutions, including the organisation of numerous lectures and conferences, at which notable guests were invited to speak on (and promote) Italian culture and language. At its peak, this cultural exchange also included the founding of a library of Italian literary works and publication of various periodicals, as well as the participation of both Czech and Italian academics and intellectuals residing in Prague in the promotion of Italian culture.
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