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Sto let po brazilském Týdnu moderního umění v „Manifest současné indiánské literatury“ od Trudruy Dorrico

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Válová K.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

2024

vol. 34

issue 70

65-76

In 2022, Brazil commemorated two crucial moments in its historical and cultural development. Two hundred years have passed since independence from Portugal and one hundred years since the socalled Modern Art Week (Semana de Arte Moderna) in São Paulo. In addition to celebrations, the year 2022 was also a year of new perspectives on both anniversaries, especially through the lens of the First Nations of Brazil. One of the significant efforts was the article “Centenary of Art Week Mobilizes Indigenous Artists” (Centenário da Semana da Arte mobiliza artistas indígenas) and the “Manifesto of Contemporary Native Brasilian Literature” (Manifesto da Literatura Indígena Contemporânea) contained in it. The text by the Brazilian writer Trudruá Dorrico was intentionally published a week before the anniversary, on February 9, 2022, in the online magazine Ecoa. The analysis of several slogans of the manifesto will focus on the issue of tribal ancestors and “Macunaíma’s grandchildren”.

Indiánská identifikace jako politický nástroj? Aztlán a bronzová rasa v procesu politizace mexické diaspory v USA

61%

Březinová K.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

2024

vol. 34

issue 70

50-64

The paper explores the use of ethnicity as a strategic tool in the politicization of the Mexican diaspora in the United States of America in the late 1960s and early 1970s. Referring to the example of the 1969 founding manifesto entitled “The Spiritual Plan of Aztlán” (El Plan Espiritual de Aztlán), it pays attention to the ways in which a section of the Mexican diaspora in the United States — Chicanos — came to identify themselves with the indigenous peoples of the United States and Mexico in the construction of their new collective identity. The text further examines the symbols of the Aztlán and the Bronze Race, the meanings attributed to them, and the question of authorship. In doing so, it draws on the interpretive frameworks of S. Hall, B. Anderson, R. Barthes and M. Castells. It concludes that the manifesto represents a highly selective, strategic narrative which mirrors both the Chicano movement’s claims for recognition in the US and the ways the Mexican diaspora interpreted its past to serve its current and future goals between the 1960s and early 1970s.

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2 Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

1 Březinová K.

1 Válová K.

2 2024

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Sto let po brazilském Týdnu moderního umění v „Manifest současné indiánské literatury“ od Trudruy Dorrico

Indiánská identifikace jako politický nástroj? Aztlán a bronzová rasa v procesu politizace mexické diaspory v USA