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Selected conservation work in Marina el-Alamein in the 2012 and 2013 seasons

100%
Koczorowska M., Osiak W.
Polish Archaeology in the Mediterranean
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2015
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vol. 24(1)
101-112
EN
In the 2012 and 2013 seasons, the conservation program of the Polish–Egyptian Conservation Mission to Marina el-Alamein included conservation activities in selected rooms of the complex of Roman (southern) baths in the central part of the town and, in 2013, elements of the monumental tomb T21, as part of the general program for the preservation of its remains. In 2013, conservation of selected items, wall paintings in particular, from the stores was undertaken.
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„Ekstaza” czy „admiracja”? Ikonografia obrazu św. Franciszka z Muzeum Diecezjalnego w Siedlcach w kontekście wymowy wybranych płócien z serii franciszkańskiej El Greca

86%
Kossowski M. D.
Studia Europaea Gnesnensia
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2021
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issue 23
47-66
EN
The widely adopted title of “Ecstasy of St Francis”, a painting at the Diocesan Museum in Siedlce, was introduced in literature in 1966 based on the typology developed by José Gudiol. The designa- tion continues to be used until today. However, the significance and the purport of the title has not been confronted with the representation, especially given the current knowledge about its details. No attention has been paid so far to the nature of the stigmata, nor have any conclusions been drawn from the arrangement of the fingers or the depiction of bone remains, their pattern and placement. An analysis of those motifs changes the previous interpretation of what the work seeks to convey. The paper also cites arguments in favour of amending the current dating, from 1578-80 to the early seventeenth century.
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