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Dwa sposoby interpretacji problemu intersubiektywności w późnej filozofii Husserla i propozycje jego rozwiązania na przykładzie filozofii M. Henry’ego i M. Richira

100%
Walczak M.
Analiza i Egzystencja. Czasopismo Filozoficzne
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2020
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vol. 51
5-22
EN
This article is an analysis of two conceptions of both awareness of other persons and relations with them put forward by Michel Henry and Marc Richir – philosophers who are associated with “new phenomenology in France”. My aim is to show how they reinterpret Husserl’s view of intersubjectvity and attempt to solve the issues related to traditional phenomenological solution. Thanks to rejecting Husserl’s notion of intentionality, they provide a new ground for analysis. The originality of their account lies in an introduction of the very notion of passivity (Henry) and transcedental interfacticity (Richir). In spite of some differences between them, they can be considered as ideas that shed a new light on the problem of intersubjectivity in phenomenology.
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The Role of Phantasy in Relation to the Socially Innovative Potential of Filmic Experience

100%
Giorgi F.
Eidos. A Journal for Philosophy of Culture
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2020
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vol. 4
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issue 1
57-69
EN
The aim of my essay is to distinguish the aspects of the filmic experience that are decisive in relation to the film’s capability to sensitize the viewer to social issues in Williams’s sociology of culture. In order to do that, I will take into consideration Williams’s understanding of film as a particular medium that is connected with the general dramatic tradition and is able to realize a total expression of the structure of feeling rooted in every aspect of community life. On the basis of Williams’s understanding of film, I will analyze the film’s potential for social innovation from the standpoint of the viewing subject. In the later part of my essay, I will argue that the filmic experience’s capability to promote phantasies is a decisive element in relation to the expressive power of the film. I will analyze the role of phantasy in relation to the socially innovative potential of film in the accounts of the filmic experience provided both by Williams and by other authors that follow in Williams’s footstep by conceiving the filmic flow as a gaze located outside the viewer. Finally, I will draw my conclusions concerning the elements of the filmic experience that are decisive in relation to the film’s potential for social innovation.
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Co říká duha?

84%
Ritter M.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2016
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vol. 54
28-35
EN
Seeking to establish a theory of experience overcoming the horizon of the Enlightenment, in some of his earlier texts Benjamin reflects on phantasy. These reflections establish a logics or language of the world besides the (Neo-Kantian) duality of intuition and reason, or receptivity and spontaneity. This language, instantiated especially by the rainbow, discloses the truth without application of rational categories. The truth, however, does not disclose itself, and cannot be conceived of, simply as a continuum of one medium. Rather, it appears in a discontinuity transcending this medium without disturbing it.
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