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‘The most exciting thing is not‑doing‑it’, or Andy Warhol’s ‘Philosophy of Love’ on the basis of Blow Job and My Hustler

100%
Łapińska J.
Estetyka i Krytyka
|
2015
|
issue 2(37)
45-59
EN
The aim of this article is to identify characteristics of Andy Warhol’s ‘philosophy of love’, the elements of which were described in the Philosophy of Andy Warhol (From A to B and Back Again), and an analysis in this context of Warhol’s films Blow Job (1963) and My Hustler (1965). Warhol’s films are treated as an opportunity to discuss his attitude to love and sex, as they contain the key elements of his unusual ‘philosophy of love’. The artist’s biography is referenced, as are the concept of ‘impersonal narcissism’, put forth by Leo Bersani and Adam Phillips, Slavoj Žižek’s theories on the role of fantasy in a relationship, and some reflections of Susan Sontag and Esther Perel.
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Eroticism in Fr. Franciszek Sawicki’s philosophy of love

72%
Babiński J.
Warszawskie Studia Teologiczne
|
2021
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vol. 34
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issue 1
96-108
EN
Father Franciszek Sawicki is considered to be one of the most important philosophers of the interwar period in Poland. The problem of love must be regarded as one of the most significant among many issues he focused on in his research. Sawicki, one of the precursors of personalistic thinking, understands the essence of love as it functions in a personal relationship. Above all, we should distinguish two areas for the realisation of love: love in relation to God and love in relation to another human being. In both instances, Sawicki emphasises the need to take into account the "erotic moment" for the sake of full and proper understanding thereof. The erotic moment elucidates love as a force that engages not only the emotional and volitional spheres, but also the categorical and existential ones. This approach enables us to appreciate the full dimension of human sexuality as it pertains to the human being and ameliorate the tendency to depreciate or idolise it.
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