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EN
Music influences the human on the psychological and physiological level. This article centres on the selected mechanisms of the impact of music on emotional and somatic processes of a listener. The paper discusses the phenomenon of acoustic driving and mechanism for adjusting the emotional state of a listener to emotional expression of music. Publication also concerns the impact of music on the emotions through the activation of imagination and memory. Musical expectations and evaluative conditioning as sources of emotional reactions are analyzed too.
EN
Aleksandr Kuprin, writing at the turn of the twentieth century, joins the old age discourse of his time. Old age (or maturity) in Kuprin’s works has different faces (kind-hearted, wise, respected, embittered, rejected, lonely, etc.) and is presented in various contexts: cultural, social, economic. From old age inspirations the writer creates both pictures and naturalistic reflexions (descriptions of anatomical and physiological changes), and metaphysical (passing, asking about the meaning of life). Additionally, Kuprin depicts the antinomy: early days — old age, compares advanced age to childhood and analyzes the symptoms of not only somatic but also mental old age.
RU
Александр Куприн, творивший на рубеже XIX и XX веков, включается в тогдашний дискурс старости. Старость (или зрелость) принимает в его творчестве разные облики (добрая, умная, почтенная, озлобленная, отвергнутая, одинокая и т.д.) и изображается им в разных контекстах: культурном, общественном и экономическом. Она вдохновляет писателя как на создание натуралистических образов (изображение анатомических и физиологических изменений), так и наталкивает на метафизические размышления (ход времени, смысл жизни). Кроме того, прозаик рассматривает антиномию: молодость–старость, сопоставляет преклонный возраст с детством, подвергает анализу симптомы как физической, так и духовной старости.
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