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Spatialisation littéraire et picturale, une interaction artistique dans la poésie de Maurice Carême

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Tóth Á.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
|
2015
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vol. Special Issue: Le monde de la litérrature
42-52
EN
Maurice Carême (1899–1978) was a Belgian francophone poet who was in contact with a great number of painters through correspondence, either as a friend or for professional reasons. Among these artists were Henri-Victor Wolvens, Marcel Delmotte and Felix De Boeck. Besides the illustrations that they made in order to decorate Carême’s books of poetry, their exchange and their complicity were also of a great importance, being a sort of artistic interaction between fine arts and poetry. The common sources of painting and poetry are the following : the power to watch and to stabilise the image and the capacity to show the image itself and the relations that connect the images. The reader of Carême’s books is confronted to a composition of texts and images. The book made of poems and drawings becomes a space which is textual and also visual, a space which is literary and pictorial at the same time. The layout evokes an experience which is simoultaneously verbal and visual, relating to a fusion between several ways of expression, where the interference between image and text exceeds largely the books of poems in question.
2
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Kvindelige arketyper og kompositorisk sammensmeltning. Om nogle paralleller mellem Blixens fortælling ”De standhaftige slaveejere” og Munchs piktoriale model

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Stahr R.
Folia Scandinavica Posnaniensia
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2022
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vol. 32
4-18
EN
This article analyses the hitherto unexplored influence of Edvard Munch on Karen Blixen's work. Blixen was a great connoisseur of art and can therefore be assumed to have known Munch's work. In the short story “De standhaftige slaveejere” we find several parallels to the so-called “Munch's pictorial model”, i.e. a set of common features of his work (specifically his expressionist phase). Most striking is the similarity of the characters to those in Munch's painting Kvinden i tre stadier, which Blixen adopts both in terms of their appearance and their archetypal roles. She is particularly inspired by the colour connotations associated with the characters portrayed in the painting, and creates the figure of a beautiful and innocent girl in a white dress accompanied by an ascetic governess in black. Even the male character in Blixen's short story recalls Munch's archetype of the weak, melancholic man who is about to be destroyed by women. We also find a significant parallel in relation to the typical composition in Munch's paintings, where the individual figures are merged into one. Blixen makes use of this composition in the concrete description of the figures in her story; at the same time, on an abstract level, it is possible to interpret both figures as one multidimensional figure.
3

Изобразительная модель натурализации человека и антропных феноменов в идиостилевой картине мира Бориса Гребенщикова

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Лещак С.
Prace Językoznawcze
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2018
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vol. XX/3
91–101
EN
The paper is devoted to the analysis of presentation of a human and his demonstration by natural phenomena and objects in artistic idiostyle of a Russian bard and poet Boris Grebenshchikov’s. Particular explicational schemes that belong to the general pictorial model of human naturalization were described with respect to the concepts of the naturefacts, which are most characteristics of poet’s aesthetic picture of world.
PL
Artykuł poświęcony jest analizie prezentacji osoby i jej przejawów poprzez zjawiska i przedmioty naturalne w artystycznym idiostylu rosyjskiego barda i poety Borysa Griebienszczikowa. Opisane zostały poszczególne schematy eksplikatywne, które są częścią ogólnego modelu naturalizacji człowieka z uwzględnieniem konceptów – faktów naturalnych najbardziej charakterystycznych dla estetycznego obrazu świata poety.
4
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Krajina jako atmosféra. Co mě nasila Jarka Janáčková

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JEDLIČKOVÁ A.
Bohemistyka
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2020
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issue 3
319-344
EN
Literary historian Jaroslava Janáčková has been inquiring into Czech literature of the 19th century for several decades. In order to pay homage to her substantial contribution to the knowledge of the period and development of fiction poetics on the occasion of her birthday, the author of the paper summarizes some of the crucial approaches of Janáčková´s research to apply them further in analyzing a novel by Alois Jirásek, on whose work she focused mainly in the 1980s.
CS
Literární historička Jaroslava Janáčková zkoumá českou literaturu 19. století již řadu desetiletí. Se záměrem ocenit u příležitosti jejích narozenin její podstatný přínos k poznání tohoto období a vývoje poetiky prózy shrnuje autorka příspěvku některé klíčové přístupy v bádání Jaroslavy Janáčkové a následně je uplatňuje v analýze románu Aloise Jiráska, na jehož dílo se jubilantka soustředila hlavně v osmdesátých letech.
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