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« Elle peint comme elle chante... »

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Wierzbowska E. M.
Quêtes littéraires
|
2015
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issue 5
79-87
FR
The large part of Marie Krysinska’s poetry is pictorial in the intrinsic way. The range of the references to painting, both explicit and implicit, is not less significant than the musical references. Being a musician, Krysinska is as well sensitive to the colours and lines, she makes one hear and see her poetic images. This ability lets her create “images en l’air” whose pictorial intensity is varying, from the impression to the ekphrasis. Through different painting references Krysinska reveals her rooting in the culture, enters into the continuum of aesthetic reflection, involves herself in a dialogue between arts – which incessantly lasts throughout the ages – on the synchronic and diachronic level. Consciousness which diffuses through the poetic-pictorial work of art is consequently complex and heterogenic, both individual and collective. Pictoriality becomes a code, cultural and emotional, which reinforces the work of imagination and lets one feel a twofold aesthetic satisfaction.
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Zur sekundären Piktorialität in der offiziellen Online-Kommunikation

71%
Kapuścińska A.
Studia Germanica Gedanensia
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2021
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vol. 45
97-117
EN
The article is dedicated to the question of increasing use of pictograms in official communication on the Internet. The tendency towards the secondary pictorialisation of language began with the ‘invention’ of the first emoticon ‘:-)’ in 1982. However, a relatively new phenomenon is the use of pictographic elements on official websites. Although these are usually not depictions of faces, but other pictograms that are basically used as navigation elements (such as an envelope for an e-mail or a telephone receiver for a telephone number), also here a linguistic element is replaced by a pictorial one. This phenomenon is discussed in the article based on selected Polish and German websites.
DE
Der Beitrag widmet sich der Frage des zunehmenden Gebrauchs von Piktogrammen in der offiziellen Kommunikation im Internet. Die Tendenz zur sekundaren Piktorialitat der Sprache begann zwar bereits mit der „Erfindung“ des ersten Emoticons „:-)“ im Jahr 1982. Eine relativ neue Erscheinung ist dennoch die Verwendung piktographischer Elemente auf offiziellen Internetseiten. Zwar sind dies in der Regel keine Gesichtsdarstellungen, sondern andere Piktogramme, die grundsatzlich als Navigationselemente gelten (wie Briefumschlag fur E-Mail oder Telefonhorer fur eine Telefonnummer), aber auch hier kommt es zum Ersetzen eines sprachlichen Elements durch ein piktoriales. Dieses Phanomen wird in dem Beitrag anhand von ausgewahlten polnischen und deutschen Internetseiten diskutiert.
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