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EN
Aim. The aim of the article is to analyse the ways African American children’s characters are constructed in selected picture-books and to determine whether they have any impact on the conduct of contemporary black youth facing discrimination in their own lives. It also argues that picture-books are one of the most influential media in the representation of racial problems.Methods. The subjects of the study are picture-books. The analysis pertains to the visual and the verbal narrative of the books, with a special emphasis being placed on the interplay between text and image as well as on the ways the meaning of the books is created. The texts are analysed using a number of existing research methods used for examining the picture-book format. Results. The article shows that the actions of selected children’s characters, whether real or imaginary, may serve as an incentive for contemporary youth to struggle for equal rights and contribute to the process of racial integration on a daily basis.Conclusions. The results can be considered in the process of establishing educational curricula for students from minority groups who need special literature that would empower them to take action and join in the efforts of adult members of their communities.
EN
The author discusses the growing popularity of picture-books and gives a critical overview of the problems of the definition of the genre. He concentrates on the two recent works of Iwona Chmielewska which address the issues of the Holocaust, representing different approaches to the genre, experimenting with the book as a material and visual object, requiring non-linear reception and problematizing the word-image relation. The article also reflects on ethical issues of the Holocaust literature, which can be identified in the choice between realistic representation, metaphorical codensation and silence.
PL
Artykuł, poświęcony rosnącej popularności picture-booków i kłopotom z ich definicją, koncentruje się na twórczości Iwony Chmielewskiej, autorki związanej z tematyką Zagłady. Szczegółowo omówione zostają jej dwie książki, Pamiętnik Blumki (2011) i Dopóki niebo nie płacze (2016), reprezentujące różne odmiany tego gatunku, będące eksperymentami w poszukiwaniu nowych form książki jako materialnego i wizualnego obiektu, narzucającego nielinearny porządek odbioru i problematyzującego relacje między słowem a obrazem. Podjęte zostają również kwestie etyczne w literaturze o Holokauście, wyrażające się często w wyborze między realistycznym obrazowaniem, metaforycznym skrótem a milczeniem.
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