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EN
The present work focuses on literary inspirations and artistic value of song lyrics included in the twelve-volume anthology of Stanisław Moniuszko’s songs known as the Home Songbook. The composer, who was born in the Minsk gubernia during the period of Russian partition, maintained strong bond with the Eastern frontier of Poland. The research conducted by the author of this study shows that Moniuszko used the texts created by 97 poets including many artists coming from the Eastern part of Poland (e.g. A. Mickiewicz, J. Czeczot, S. Witwicki, W. Syrokomla, J. Prusinowski etc.); in the collection of 364 songs and duos only 40 lyrics were written by foreign authors. Moniuszko’s work, with all their richness and diversity, played an important part in the cultivation of national identity of the Poles living under the Tsar’s rule; the Belarussians claim that a great deal of his songs have their roots in Belarusian folk culture.
EN
In the article, the author discusses six unknown songs of the Gdańsk organist and composer Stanisław Kwiatkowski (1930–2010). They are: Evening Song, Autumn Song, Sea Prelude, Why, Remembrance and Waiting for you. These songs have never been published; are available in the composer's author's manuscript. The open question remains the matter of the title longing with sounds wrapped around it. The current state of knowledge does not allow to clearly state who the object of sighs is, which the lyrics of the songs speak very clearly about.
PL
W artykule autor omawia sześć nieznanych pieśni gdańskiego organisty i kompozytora Stanisława Kwiatkowskiego (1930–2010). Są to: Pieśń wieczorna, Jesienna piosenka, Morskie preludium, Czemu, Wspomnienie oraz Czekam cię. Utwory te nigdy nie zostały opublikowane; dostępne są w autorskim rękopisie kompozytora. Pytaniem otwartym pozostaje tytułowa tęsknota dźwiękami otulona. Stan obecnej wiedzy nie pozwala jednoznacznie stwierdzić, kim jest obiekt westchnień, o którym bardzo wyraźnie mówią teksty pieśni.
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