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Paradoxical Metaphors in Poetic Song Discourse

100%
Biskub I.
Language. Culture. Politics. International Journal
|
2023
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vol. 1
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issue 1
25-37
EN
The paper focuses on highlighting the differences between recognition and interpretation of active conceptual metaphors indicating universal truth and specific author’s metaphors grounded in his own life experience. It has been proven that due to their complexity, paradoxical nature, and the variability of language expressions metaphors are effectively used to deliver universal truth in poetic discourse, namely in bard song lyrics and singing poetry. The analysis is based on the material of Leonard Cohen’s posthumous album “Thanks for The Dance”. The well-known features of active metaphors such as clarity and communicative power are opposed to unique paradoxical and mirroring metaphors used by the author to impose multiple levels of metaphor recognition in poetics song discourses. The metaphorical coding of poetry is achieved through establishing an intercode agreement between the recipients and the poet.
2
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Poésie et absence

89%
Litsardaki M.
Quêtes littéraires
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2012
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issue 2
162-172
EN
Considering poetry as a literary form in close relation with absence and scarcity; this paper deals with some of the most frequent and significant forms of absence that appear in poetic texts. The physical absence of the other, due either to death or to the distance between the two individuals, is the most common kind in lyric poetry. Modern poetry often deals with Gods’ absence, which represents an important loss for the contemporary human being, trying to understand or face it. There is also the lack of inspiration and words with efficient expressive capacity that make poets suffer. However, poetry is the only way in which they express their situation and create a meaningful language. Finally, absence in poetry is also a fundamental sign of its generic specificity in connection with the means that it uses, as well as with its printed representation on paper, especially in the contemporary production. In all cases, poetry, based on the dialectic of being – not being, operates as a material, sensible and intellectual presence, which like the primordial logos fillsthe vacuum, eliminates absence and scarcity, generates and animates the human world and en-riches it with presence and meaning.
3
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Ancient Japanese Poetry in Early Medieval Poetic Discourse Appropriation of the Manyôshû in Selected Poems of Princess Shikishi

75%
Citko M.
Acta Asiatica Varsoviensia
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2014
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issue 27
55-83
EN
The paper analyzes several poems by the Princess Shikishi (11491200) from the viewpoint of Manyôshû appropriation. Despite relative scarcity of allusions to Manyôshû, some features in her appropriation style are found in the poetry of other contemporary poets, e.g. frequent appropriation of volumes XXI and well-known Manyôshû lines, utilization of secondary sources rather than Manyôshû manuscripts, etc. This demonstrates complexity of channels through which Manyôshû was appropriated. Simultaneously, there are features of her Manyôshû appropriation that distinguished her from other contemporary poets, which evidences that Princess Shikishi was not only a participant in but also a significant contributor to early medieval poetic discourse.
4
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Eine deutsch-polnische, poetische Auseinandersetzung zum Auftakt der nächstjährigen Feierlichkeiten anlässlich des 100. Jahrestages des Ausbruchs des Großpolnischen Aufstandes 1918/19 in der preußischen Provinz Posen

51%
Górski K.
Acta Universitatis Lodziensis. Folia Germanica
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2017
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issue 13
61-74
EN
At the end of year 2018, falls the 100th anniversary of outbreak of Greater Poland Uprising 1918/1919 in Prussian Province of Posen. During this jubilee, in the public sphere as well as, to lesser extent in domestic circles, that sacrifice of Polish patriotism from before 100 years, will be commemorated. Official, state proceedings will focus on commemorating the participants of the Uprising. It will pose as an occasion to celebrate and to deposit the wreaths with white-red sashes by the memorials. Flags will be flapping, drumrolls will be beaten and oaths, to never forget the Up­rising in the Province of Posen of 1918/19, will be taken in the presence of state and insurrectionary banners. Anniversary proceedings are sure to be accompanied by numerous topical papers which are bound not to slip by the German observers. Therefore, factual, scientific and even literary papers are expected to be published. Anticipated spirit of said jubilee is encapsulated in commemorative poetic works written by the Author of this paper. This study stands as the plane on which the Author engage in Polish-German poetic discourse with German poets, those who witnessed or participated in the events from before 100 years, as well as with contemporary authors associated with Province of Posen in the past or at present.Because of varied emotional charge and political tenor, this lyrical prelude to next year’s 100th anniversary of outbreak of Greater Poland Uprising 1918/1919 and its tone, in collation with its German counterparts, varies from remaining in sharp dissonance to some­times become a duet or a perfect harmony.
DE
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