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Zum Gebrauch rhetorischer Figuren der Hinzufügung in deutschen Grabinschriften

100%
Jarosz J.
Germanica Wratislaviensia
|
2013
|
vol. 137
77 - 93
EN
The semantic structure of funerary inscriptions has a dual character. The onomastic-genealogial part is characterized by stereotypical forms of expression and performs a referential function. Its opposi­tion, the emotive text-component, eulogy, is dominated by the function of self-expression, with no­ticeable linguistic elegance. The present article examines the use of rhetorical figures of repetition in the German funerary inscriptions dating from the period 1790–2010 and analyzes closely their poet-ic function. The study shows that the analyzed texts contain a lot of different rhetorical figures of repetition, which confirms the poetic function of the investigated genre.
2
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Persona liryczna w wierszach Cypriana Norwida i Emily Dickinson

75%
Samsel K.
Przegląd Humanistyczny
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2017
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vol. 61(4 (459))
93-101
PL
The study is devoted to personological analysis of the one-hundred-poem collection entitled Vade-mecum by Cyprian Norwid in the light of advanced and, above all, multidimensional research on the personology of the subject of creative activities of Emily Dickinson’s poems. Based to a large extent on Robert Weisbuch’s complex terminology from the canonical volume Emily Dickinson’s Poetry, using his typology of lyrical personas, the researcher on Norwid gains important, additional comparative literature tool allowing, e.g. the juxtaposition alongside each other of the types of poetry written by Norwid, Dickinson and Baudelaire (Norwid’s and Dickinson’s lyrical persona is – it seems – a mixture of a “wounded dialectician” and “engaging sufferer”, Baudelaire’s persona is, in turn, the marriage of features of an “engaging sufferer” and “withdrawn bard”). This is how the premodernist “theatre of personas” is created, the stronger that – which I am trying to emphasize in this text – despite appearances, it is possible to find similarities in the poetic language between the works of Norwid and Dickinson. In the same way, Norwid and Dickinson – in order to build their lyric – use a poetic function in the Jakobsonian sense: on the one hand, they strengthen and intensify its impact, on the other hand, they use it to “cover up” the phenomenon of linguistic disintegration of the world for which Modernist lyric poetry served in a special way as a detector, a kind of litmus paper.
3
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Pragmatyka w klasyfikacji słowotwórczej rzeczownika

63%
Kurdyła T.
LingVaria : Półrocznik Wydziału Polonistyki UJ poświęcony zagadnieniom języka i językoznawstwa
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2015
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issue 19
61-79
EN
The article presents a classification of Polish nominal word formations with a particular regard to derivatives with a categorial pragmatic (expressive) element. It discusses some of the existing proposals of classification, and suggests the author’s own. The highest floor of the classification contains: I. nominations (mutations) and II. renominations; the latter being divided into 1. transpositions, 2a. type modifications (feminitives, diminutives, names of young beings, etc.), and 2b. pragmatic modifications: emotional-evaluative, and stylistic derivatives. Also distinguished are III. mixed derivatives: 1. nominational-modificative, and 2. compound renominations. The general classification of derivatives counts transpositions and modifications as a single word-formative type that stands in opposition to mutations. Moreover, the paper makes more precise the understanding of the poetic function of word-formative affixes and word-formation in general. This function can be viewed as a variety of the pragmatic function, and more literally, as the function that tightly binds the derivative with the poetic language and with the “reality” it creates.
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